Shudder Saturday: Offseason (2021)

Writer-director Mickey Keating has been delivering interesting horror fare to viewers for just over a decade now. The fact that I have only seen one of his other films so far (the enjoyable Pod) is a reflection of my own tardiness, and not any kind of verdict on Keating's work. And having enjoyed Offseason even more than Pod, I really need to get through more of his filmography.

What you have here is the tale of someone tying up some affairs after the death of their mother. Marie (Jocelin Donahue) and her partner, George (Joe Swanberg), have to travel to a small island town, fulfilling some last wishes that make no sense to Marie. Her mother, Ava (Melora Walters), had often spoken of the place in a way that made clear she never wanted to go back there, and Marie soon starts to see her point of view, with the town being a strange and cold place. Is it her state of mind, or is there something wrong with the place?

This is, in a lot of ways, what you expect it to be. It's a low-budget horror movie that prioritises the cast and quieter interactions ahead of any big scares. Keating does himself a big favour with his casting, but he also paces things nicely, building atmosphere and a sense of dread in between moments that deliver some enjoyably unexpected scares (or spooky strangeness). Although he obviously doesn't have the resources that other film-makers might have available to them, Keating does his best to ensure that everything looks and sounds as it should. The visual style may be a bit flat, but that is easy to forgive when you realise that Keating has held back in a way that allows some third act moments to make a much stronger impact.

Donahue is an excellent lead, someone that viewers can easily stay alongside and root for, and Swanberg gives another good performance in the kind of supporting role he seems to be so good with. Walters has to be a bit more on edge and strained than most of the other people onscreen, but she plays her part well. There are also a number of great little turns from some familiar, and some not so familiar, faces, with Jeremy Gardner being a slight scene-stealer yet again and Richard Brake bringing his inimitable air of quiet menace to the table.

If you're after something that's not tied to some big names, in terms of the property or the way it is marketed, then I highly recommend checking this out. The imperfection of it just adds to the charm, and major bonus points to Keating for also delivering an ending that feels like a proper ending (something that used to be lacking from every indie horror movie I watched for a few years). It's not entirely original, it's not all wrapped up in a neat bow, but it does enough to stand out from the crowd, with cast and crew all doing their bit to make something that feels like a real hidden gem. Do your bit to uncover it, and share the pleasing glimmer of it with others.

8/10

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Happy Christmas (2014)

Writer-director Joe Swanberg is quite a prolific guy. The last film that I saw from him was Drinking Buddies, which I found to be okay. With an interesting, and diverse, filmography, Swanberg is probably most associated with films that are labelled as "mumblecore" - films with very naturalistic styles and sometimes non-professional actors mixed in. You won't find any major set-pieces in mumblecore movies. The focus is, instead, on the everyday struggles that people go through, the decisions they make and the repercussions of those decisions. Or, as I like to think of them, some Swanberg movies are like feature-length equivalents of Seinfeld episodes. Without the humour. I know that sounds horrible, but it's not really. I'm just emphasising that movies don't have to be about anything in particular.

Swanberg also stars here as Jeff, a young man happily settled down with Kelly (Melanie Lynskey). The two have a baby and they're also about to welcome a new arrival . . . . . . . . in the shape of Jeff's younger sister, Jenny (Anna Kendrick). Jenny has recently split up from her boyfriend and is relocating, which means that she needs a temporary place to live. But it's not long until she shows that she's not always the most considerate person, which causes a few problems as the household tries to adjust to the new situation.

I can't criticise the acting here. Swanberg is solid enough, Kendrick and Lynskey are both as fantastic as they always are, and there are decent supporting turns from Lena Dunham, as Jenny's friend, and Mark Webber, as a man who Jenny may want to get to know a bit better.

It's just everything else that's the problem. None of the characters are that interesting, nothing about the situation creates the tension that Swanberg must think it creates, and a number of moments just feel unnecessary, which is surprising in a movie that only runs for about 80 minutes. It's not that there aren't moments of, say, confrontation. It's just that they don't seem symptomatic of anything major under the surface. Jeff and Kelly are a loving couple who are trying to balance their lives. Kendrick is a bit young and irresponsible. Oh no, good god, how will this group even get through a week together? People drink, sometimes to excess, and people smoke pot. Those things may have been more frowned upon decades ago, but they will barely cause people to so much as blink nowadays.

I've probably given the impression that I really disliked this movie. That's not true. I just didn't like it all that much. It's so just . . . . . . . . . . . . there . . . . . . . . that I can't bring myself to have any strong feelings about it whatsoever. You'd have a better chance of rallying around a group of people to help protest against the colour beige.

Swanberg has talent. There are often, at the very least, individual moments in his scripts that make that much clear. And he knows how to get great, naturalistic performances from his cast. Hell, he's a decent actor in his own right, and good on him for wearing so many hats at the same time without everything turning to complete crap. I just prefer it when he also seems to have something to say, and that wasn't the case here.

5/10

http://www.amazon.com/Happy-Christmas-Anna-Kendrick/dp/B00MEQUO8G/ref=sr_1_2?ie=UTF8&qid=1417694014&sr=8-2&keywords=happy+christmas

The Sacrament (2013)

Ti West may well be the single most frustrating writer-director working in independent horror today. After making such a great impact with The House Of The Devil, he seems to have gone downhill with every subsequent release, constantly squandering his potential and making it increasingly hard to put his name forward as the shining light in horror that he could have been.

The Sacrament doesn't rectify the situation. It's done (when convenient) in a documentary style, but with opening credits to seemingly ensure, I guess, that the illusion is never once entirely believable. A. J. Bowen and Joe Swanberg are two young men reporting for Vice who tag along with a man named Patrick (Kentucker Audley) after hearing about the strange events concerning his sister, Caroline (Amy Seimetz). It turns out that she's cleaned up her life, after many problem years, and is living in an idyllic community overseen by a religious leader, Father (Gene Jones). Is paradise on Earth possible, or is everything not quite as it seems when the visitors start to look beyond the surface of this peaceful place?

Where to begin with my complaints about this movie? Well, I guess I could always start with what I actually liked about it. I thought Bowen was pretty damn good, as he so often is. Jones was alright, although not captivating enough to believe that so many people would flock to, and stay with, him. And Seimetz did well in her role. The general premise is a good one, with the first half playing out in a way that sets up a potentially brilliant back end. And there are individual scenes that are pretty bloody intense, such as the moment in which a desperate mother does what she thinks is best to protect her daughter from whatever might be in store for her.

The rest of the movie is either clumsy, lazy (which seems to be an unfortunate trait that West carries between each movie lately), or just ill-advised, at best. The opening credits are really the first warning sign that this is a director about to utilise a style he either clearly doesn't understand or doesn't want to bother with for the duration of the film. By the time we get to the second half, and the scenes during which the camerawork is clearly not being controlled by any of our main characters, then you just end up wondering what the whole point was. Well, that's if you can stop thinking about how unbelievable everything gets as the final third moves from drama into horror territory. Character motivations and actions make little sense, the tension dissipates just as it should be ratcheting up by degrees, and it eventually becomes a bit of a chore to get to the end credits.

There's also that problem with Jones, a problem I already mentioned above. He's good enough in his performance, but it's not the right performance for the role, one that is also sorely treated by a weak script. If this is a man who can gain numerous followers and rule over them in an idyllic commune then he must come across as someone who can sell veggie-burgers to vampires. Jones can't manage that. He never seems to have enough presence, or (worst of all) the courage of his convictions.

There's almost enough here to make me like this movie, that's the most frustrating thing about it. Once again, West has teased me with his potential before retreating into his comfort zone. And the worst thing is . . . . . . . I'll still hold out hope for his next movie. Just as I did for this one.

4/10

http://www.amazon.com/Sacrament-Blu-ray-Joe-Swanberg/dp/B00KGA87CW/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1412432986&sr=1-2&keywords=the+sacrament

Drinking Buddies (2013)

There's something about Drinking Buddies that I liked, despite the fact that the film just seems to be an aimless, inebriated, waste of time while it's on. Writer-director Joe Swanberg is happy, as ever, to let things play out in a way that demands patience and no small amount of empathy from viewers. He's helped by a great cast, all working well together, and one or two scenes that sneak up on you with their warmth and, yes, romance. In between the many beers being drunk.

Olivia Wilde plays Kate, a young woman who works in a brewery with Luke (Jake Johnson). She also has a decent boyfriend, Chris (Ron Livingston), while Luke has a girlfriend named Jill (Anna Kendrick), but that doesn't stop both of them enjoying a friendship that keeps them closer than most couples. They work together, they joke around, and they often go out for a few beers. And then a few more beers.

People familiar with Swanberg's work will know what to expect here, some slightly rambling tale that focuses on character interaction above anything cinematic. That can be frustrating at times, but it has to be said that his attempts to capture something that feels more naturalistic on camera results in some moments of great success.

This movie has some very sweet scenes, and numerous moments that ring true. The chemistry between Wilde and Johnson is great, with the pair really feeling like two close friends comfortable enough to joke around with one another, comfort one another, and even chastise one another when one thinks that the other is out of line. Livingston and Kendrick may be slightly sidelined, but they're allowed to affect main events without being reduced to a simple plot device. And there's a fun supporting role for Ti West, who walks a thin line between cocky and just comfortable in the company of workmates.

Drinking Buddies is worth a watch, but it's nowhere near as good as it could have been. Neither the dramatic nor comedic elements work as well as they should, and it's enough to make you want to grab Swanberg by the collar and give him a shake, forcing him to just focus on one way of telling the tale.

6/10

http://www.amazon.co.uk/Drinking-Buddies-DVD-Olivia-Wilde/dp/B00G7M18S8/ref=sr_1_1?ie=UTF8&qid=1390170402&sr=8-1&keywords=drinking+buddies