Blank Cheque (1994)

A decidedly average Disney movie that, unsurprisingly, I enjoyed more when I was a bit younger, Blank Cheque (or Blank Check) is one of many movies selling its concept in the title.

Brian Bonsall plays young Preston Waters, a lad who never seems to get what he wants, and never has much pocket money. So when he's almost hit by a car backing into him he thinks he's hit the jackpot when the harried driver (Miguel Ferrer) hands him a blank cheque. Preston then makes the cheque out for one million dollars and heads to the bank the next day. Amazing as it seems, he receives the money, but that's not necessarily as good as it seems. Ferrer, you see, is a bit of a crooked type (did he play any other type in the '90s) and when he finds out that his money is missing he becomes determined to get it back. Meanwhile, Preston gets spending, telling people that he is now in the employ of a Mr. Macintosh.

It's funny how $1M doesn't seem like all that much nowadays, but it's worth noting that it wasn't actually all that much back in 1994, when this movie was released. It's a nice, round figure, and it's the type of figure that a kid would aim for, but the film does remind viewers that anyone trying to spend this kind of money like water isn't going to need too much time.

Director Rupert Wainwright keeps everything moving along at a zippy pace, and he makes sure that kids will enjoy watching the main character live his dream, but the script, by Blake Snyder and Colby Carr, never does as well as it should. The humour isn't as sharp as it could be, the tension fails to rise, even when Ferrer starts to get closer and closer to his target, there's a very clumsy story strand involving Preston and a woman (Karen Duffy) that he takes a shine to.

The young lead isn't the best to appear in a Disney film, but he may well be served short by the script so I'm not going to be overly critical. Thankfully, the adults fare slightly better. As well as Ferrer, who can do menacing in his sleep, there are enjoyable turns from Tone Loc and Michael Lerner, as two men helping him to retrieve his money. Duffy is an enjoyable presence, although she's dragged down by being the potential "love interest" for a minor, and Rick Ducommun is a lot of fun as the limo driver who befriends Preston while driving him around.

It still has enough to appeal to its target demographic, but this is by-the-numbers stuff that doesn't leave any major lasting impression. Montage moment? Check. Light and upbeat soundtrack? Check. Moral lesson learned? Check. Adults pratfalling as a kid outwits them? Check. Decidedly average and . . . . . blank? Check.

5/10

http://www.amazon.com/Blank-Check-Jayne-Atkinson/dp/B000089771/ref=sr_1_2?ie=UTF8&qid=1401500535&sr=8-2&keywords=BLANK+CHECK

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The Fog (2005)

A remake that nobody really wanted turns out to be a film that few people will love. The Fog has one purpose in life, and that's to make horror fans, like myself, roll our eyes when we talk about the 1980 version of The Fog and have to add "the John Carpenter one". Of course, the same could be said about The Thing and Halloween, but it's this one that rankles the most, perhaps due to the way that an atmospheric, campfire tale of a movie is turned into a horrible, clumsy, teen horror.

Tom Welling stars as Nick Castle (that reference/in-joke is about as good as it gets, folks). Nick is making a living in the small community of Antonio Island. The community is about to unveil a statue honouring its founding fathers, but it seems that they may not have been too honourable in the dealings that led to a major boost in local fortunes. As people gather to celebrate, a fog starts to roll in, and that fog seems to contain some spirits who want revenge for wrongs exacted upon them.

Cooper Layne may not have written the best script here (adapting ideas from the original material by John Carpenter and Debra Hill), but director Rupert Wainwright certainly doesn't help with any of the choices that he makes. None of the horrible CGI or jump scares are a patch on anything from the original movie. It may be unfair to compare the two, but when so many similiar elements are onscreen, and the recent version is overshadowed by a film that was made twenty five years previously, I think there's good reason to comment.

Welling tries, but he's no leading man. Maggie Grace is just . . . . . there as Elizabeth, the sorta girlfriend of Welling's character, and it's only Selma Blair who really makes this worth a watch. Taking on a role so memorably played by the gorgeous Adrienne Barbeau is no mean feat, but Blair doesn't do too badly at all, despite the script leaving her hanging out to dry in the third act. DeRay Davis, Kenneth Welsh, Adrian Hough and some other folk all play second fiddle to the the not-so-special effects.

Taking a movie and remaking it badly isn't really a major sin, despite what we fans will sometimes say. Taking a film that really crafted a perfect campfire tale, however, and then pissing on that fire and trying to serve up the wet ashes to people? Well, that's not really a major sin either, but it should be. Oh yes, it should.

3/10

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