Prime Time: City Of Industry (1997)

Writer Ken Solarz has seen a movie or two. It’s easy to remember this when he keeps throwing so much onscreen that should be familiar to even the most casual viewer of crime movies. City Of Industry is chock full of dialogue and situations that have been in hundreds of other movies, and it doesn’t manage to put a fresh spin on anything being regurgitated throughout the 97-minute runtime.

A group of guys do a robbery, one big score that could set them up for a good life ahead (of course), but things soon go wrong when someone gets greedy, leading to a betrayed individual plotting some bloody revenge.

Director John Irvin mistakenly puts his faith in others here. He has a great cast to work with, but very few of them are able to improve the material. In fact, one or two (mainly Stephen Dorff and Harvey Keitel) seem to lean into the idea that the characters were written in a way all too similar to some of their previous work.

Aside from Dorff and Keitel, although they aren’t awful (they just seem stuck in a certain lane that the script puts them in), the cast also includes Timothy Hutton, Wade Dominguez, Michael Jai White, Lucy Liu, Dana Barron, and Famke Janssen. It’s the women who do much better, maybe because they have to work harder in roles that would be completely forgettable with less capable performers.

Derivative and uninspired, this feels like exactly what it is - a 1997 crime thriller that wants to be Tarantino-esque without having any actual Tarantino talent attached. So we’re left with thin characters, laughably tired dialogue, and a plot that tries to twist and turn slightly while heading towards a very predictable third act. Not recommended, especially when I can point you towards at least a dozen other “Tarantino-lite” crime thrillers that work better than this.

3/10

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Netflix And Chill: Last Holiday (2006)

The only reason that I hadn't watched Last Holiday (a remake of a 1950 film of the same name) before now is that, well, I just hadn't. But finding out that it was set during the Christmas season gave me the nudge I needed to finally get around to it. I like Queen Latifah as a screen presence, I knew that the plot would be predictable, and somewhat comforting, and I hoped for some gentle humour throughout. 

Latifa plays Georgia Byrd, a hard-working woman who has let life pass her by. She enjoys cooking, does well in a job role under a boss who has kept her underpaid and under-appreciated for far too long. After bumping her head at work, Georgia ends up with a medical diagnosis that spells doom and gloom. She doesn't have long to live. It's a matter of days. Armed with this information, Georgia decides to head off on a dream holiday, spending all of her savings on a gorgeous suite, eating the best food, and just having the best time possible. She doesn't care what anyone thinks, exuding a confidence and honesty that impresses the likes of Chef Didier (Gérard Depardieu) and a holidaying politician (Giancarlo Esposito) while very much NOT impressing Matthew Kragen (Timothy Hutton), a business owner oblivious to the fact that Georgia actually worked in one of his department stores. There's also room in the plot for Sean Williams (LL Cool J), a colleague/potential love interest, and Ms. Burns (Alicia Witt), the young woman "accompanying" Mr. Kragen on his business trip/holiday. I think you can all start planning out how this ends already.

Written by Jeffrey Price and Peter S. Seaman, and directed by Wayne Wang, this is about as formulaic as movies get. The blending of those writers with that director though, just check out the filmographies of them to see the wildly different movies they have separately been involved with, leads to something that is full of wonderful little moments on the way to an ending that has to tie everything up in a neat little bow. There's fun poked at the difference between those seeking to try great cooking and those ordering items from the menu with a multitude of personal requests that undermine the essence of every dish, there's a ridiculous, but amusing, bit of accidental extreme snowboarding, and, despite acting like a high-roller for the little time she has left, Georgia is quick to remind everyone around her to treat all workers with dignity and respect. It's all generally in line with plenty other rom-coms (and, as easy as it is to forget at times, there is a good dash of rom with the com), but it somehow feels a bit quirkier and more spirited than a lot of them.

Queen Latifah (real name Dana Elaine Owens, fact fans) is the main reason for that. As much as I have always enjoyed her acting, she helps herself when being cast in a role that allows her to shine as brightly as possible, and she absolutely shines in this role. Everyone in the supporting cast seems to respond well to her star power, doing some wonderful work in roles that could have easily just been viewed as a quick payday. Hutton is a fun potential villain, Witt gets an enjoyable journey alongside him, and Cool J is a very sweet man viewers will want to see make that proper connection with our lead. Both Depardieu and Esposito enjoy themselves in atypical roles, and there are fun moments for Susan Kellerman (a hotel employee named Gunther), Matt Ross (an awful store manager), and Ranjit Chowdhry (playing the doctor who has to deliver the dire diagnosis to Latifah’s character).

Despite the abundance of snow and cold temperatures, things could have been made a bit more Christmassy, but that’s my only main criticism. The soundtrack could have been a bit better, and the plotting just a bit tighter, but this is a way to spend just under two hours with someone who is absolutely delightful company. And that is enough.

7/10

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