Chip 'n' Dale: Rescue Rangers (2022)

I was really happy when I saw the trailer for Chip 'n' Dale: Rescue Rangers. It looked like a hell of a lot of fun. Finding out that it was being delivered by a couple of the main figures behind Popstar: Never Stop Never Stopping just made me even more keen to see it. Then I started watching it, the smile fading from my face quicker with each passing minute. You can find a lot of people around who really liked this movie. I'm not one of them. There are some good gags, but I'll attempt to highlight some of the biggest problems I had with the film here.

Having gone on separate career paths over the years, Chip (John Mulaney) and Dale (Andy Samberg) are reunited by a worrying phonecall from their friend, Monterey Jack (Eric Bana). Jack's addiction to stinky cheese has landed him in trouble with the wrong people, and he fears that he will soon be kidnapped, altered slightly, and trafficked to somewhere overseas that has characters creating bootleg versions of their works in perpetuity. Chip and Dale have to get back into old habits, hoping to crack the case in time to save their friend. They end up dealing with the police, in the form of Captain Putty (J. K. Simmons) and Officer Ellie Steckler (KiKi Layne), a variety of twisted cartoon creations, and a big baddie who goes by the name of Sweet Pete (Will Arnett).

When you look at the separate elements here, this is hard to view as anything other than an easy win. Chip ‘n’ Dale have always been my favourite animated chipmunks, nostalgia is arguably one of the most profitable filmic commodities right now, and the direction from Akiva Schaffer is decent throughout. There are also some fun gags in the script, written by Dan Gregor and Doug Mand, who also wrote the very enjoyable, although formulaic, Magic Camp and the less enjoyable Dolittle. Unfortunately, there aren’t enough good gags, especially when you have scenes too busy cramming in familiar personalities and entertainment archetypes. And those gags feel harder to laugh at when you realise the dark truth being reconfigured as something of an extended punchline throughout the second half of the film. I am willing to give both Gregor and Mand the benefit of the doubt, willing to believe that they were trying to pin the comedy on one serious point, on one subversive critique of the Disney studio system (of old?), but it doesn’t work. It rankles as much as that book by O. J. Simpson called “If I Did It: Confessions Of The Killer”. I would never want to read that book, and I never want to revisit this movie.

Another big problem that the movie has, and I know this will sound like a very silly complaint, is a lack of any rhyme or reason to the different types of characters. Who Framed Roger Rabbit is the nearest touchstone for this, underlined in a scene that actually has a cameo from the man himself, but that had clearly defined populations of people and toons. This doesn’t. You get some people living their lives, some cartoon characters everywhere, some cgi creations, muppety puppets, even the difference between Chip and Dale feels very random (one traditionally animated and one fleshed out into a CGI animated character). I know there is a reason for it, but the reason feels a bit arbitrary. 

Mulaney and Samberg are a great fit in the lead voice roles, Simmons is equally enjoyable, and there are entertaining turns from Arnett, Seth Rogen, Eric Bana, Tim Robinson (in the absolutely brilliant role of Ugly Sonic), and many others. Layne also does well, playing one of the few actual humans onscreen, and there’s no faulting the mix of live-action and animation throughout.

There are jokes that work, and some scenes are very funny. References to the uncanny valley are a lot of fun, as is a special appearance from Post Malone, and the meta commentary of older properties being freshened up for a new audience is surprisingly effective, acknowledging that all of these things are just as formulaic as standard sequels or remakes. This is fairly easy to like and enjoy, and many people have done just that. I just couldn’t manage it, especially when I kept circling back to the backstory of the villain (not to mention the way in which it attempts to put a darkly comic spin on people trafficking, which is equally misguided). So I guess I will just wait to see if the inevitable Roger Rabbit sequel will work better. There’s going to be a Roger Rabbit sequel now, right? Right??

4/10

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Teen Titans Go! To The Movies (2018)

Since enjoying a number of the animated WB superhero movies, I have become familiar with the Teen Titans. I was not, however, familiar with Teen Titans Go, the more child-friendly version of the heroes. But there's not exactly a lot to figure out, as long as you are at least passingly acquainted with the DC superhero universe. You just need to get used to the unique style of animation on display here. And tolerate a few fart gags.

The plot is fairly simple. Our heroes don't seem to get the respect they think they deserve, an issue that becomes clearer to them all when they find themselves unable to get a movie made about them, despite every other superhero being given adventures on the big screen. Robin (voiced by Scott Menville) is the one taking it hardest of all, but that doesn't stop him from leading the team in a brave battle against the nefarious Slade Wilson AKA Deathstroke (Will Arnett), who has a cunning plan to steal a powerful crystal from S.T.A.R. Labs (Scientific and Technological Advanced Research Laboratories) and take over the world.

Having both worked on the TV show, directors Aaron Horvath and Peter Rida Michail are a safe pair of hands for this movie incarnation, assuming a certain familiarity with a lot of the main characters while also introducing the actual Teen Titans with a mixture of gags and fun song lyrics (yes, there are a couple of musical numbers here). Horvath gets extra credit, thanks to his fine work co-writing the script with Michael Jelenic, a script that often gets the biggest laughs from the idea that, yes, the market for superhero movies may be a bit oversaturated at the moment.

Although I am unfamiliar with many of the voice actors, they all do well in their roles (having played incarnations of the Teen Titans for over fifteen years now). I feel I should namecheck them here, at the very least. As well as Menville playing Robin, you get Greg Cipes as Beast Boy, Khary Payton as Cyborg, Tara Strong as Raven, and Hynden Walch as Starfire. The fun is helped along by the performances from Arnett (between this and his LEGO Batman work, he's arguably my favourite DC performer), Kristen Bell, Stan Lee (it's hard to pick his best cameo but this gets extra points for using him in a DC movie), Nicolas Cage, Michael Bolton (yes...Michael Bolton), and Greg Davies, as well as Jimmy Kimmel, John DiMaggio, Patton Oswalt, and a few others.

It's bright, it's lively, it's got a brisk runtime to ensure it doesn't outstay it's welcome, Teen Titans Go! To The Movies manages to be a fun superhero comedy that cares for many of the main characters while simultaneously skewering them with glee. This is fun for all age groups, as long as you don't mind some of the toilet humour, and I enjoyed it so much that I am hoping to check out the cartoon series it stems from.

7/10

You can buy the movie here.
Americans can buy it here.

Teenage Mutant Ninja Turtles (2014)

For anyone with far too much time on their hands, here are reviews for the previous Turtle-tastic flicks.
Teenage Mutant Ninja Turtles.
Teenage Mutant Ninja Turtles II: The Secret Of The Ooze.
Teenage Mutant Ninja Turtles III.
TMNT.

Yes, it's yet another reboot for our heroes in a half-shell. The Teenage Mutant Ninja Turtles have had a long, fruitful life in various guises, from their comic origins to the movies to the cartoon show to lunchboxes, toys and other merchandise, and I can't see that stopping any time soon. Having said that, things didn't look good for this movie. The very first trailer was received with a large amount of disdain, and outright hatred in some quarters. Michael Bay was producing (allowing for more people to rant, once again, about him somehow being the most evil thing to happen to movies since pan & scan). And the director was a man who can claim that The Texas Chainsaw Massacre: The Beginning remains his best movie. Throw Megan Fox into the mix (hey, I like her, but many don't) and you seem to have a recipe for disaster.

April O'Neil (Fox) is a reporter who seems to be stuck with the lighter items, despite working hard to pick up a serious news story. She thinks she may have something special on her hands when she sees some vigilantes taking on the violent Foot Clan, trained baddies who have been terrorising the city. Unfortunately, when she sees them up close she sees four large turtles. Nobody is going to believe her, of course, but that doesn't stop her from pursuing the story. Accompanied by a cameraman (Will Arnett), April heads along to visit local celebrity business mogul, Eric Sacks (William Fichtner). And then Shredder pops up to cause even more trouble. Fights happen. There are big action moments. And viewers may roll their eyes, as I did, at a section of the film showing how the turtles developed into the teenage mutant ninjas that we now know them as.

There are one or two things that this film does get right. First of all, the human cast works well. Fox is a decent April O'Neil, and her character is pleasingly proactive throughout the movie, Arnett is always good fun (and provides some amusement here), Fichtner is great, and it was good to see Whoopi Goldberg back in a major release, albeit in nothing more than a cameo role. Tohoru Masamune doesn't do too badly as the main, famous villain, while Minae Noji somehow makes a good impression as his main henchwoman, despite being treated quite badly by the weak script.

Some of the action in the first half of the movie works well. People will undoubtedly complain about the levels of lighting and the editing, but the film IS showing characters who are ninjas. The clue is there in the title, making the flurried fighting under cover of darkness perfectly acceptable, and enjoyable.

And then we have the runtime. At about 100 minutes, approximately, this manages to distance itself slightly from the modern trend of the blockbusters that run for at least two hours. Well, it WOULD, if it didn't feel like a much longer movie, thanks to the interminable dullness of it all.

That's all I can think of. A few of the lines will raise a smirk, but just as many will raise groans from viewers (both familiar and unfamiliar with the characters). The script, by Josh Appelbaum, Evan Daugherty, and Andre Nemec, feels as if it doesn't know what it wants to be. A fun film, in line with the past movies that many enjoyed, or a serious reboot, adding a sharpness and grit to the characters. It subsequently fails to be either.

Jonathan Liebesman directs with some competence, I guess. But he seems to be just as unsure of how to handle the material as the writers. Some of the rapport between the main characters does work, but an awful lot of it just falls flat. And as for the big set-pieces in the second half of the movie. Unfortunately, I think they're some of the dullest and most irritating that I've sat through in some time (in a mainstream cinema release, anyway). Everything soon starts to become tiresome, as those making the film opt to please the audience by just throwing more and more effects and noise onscreen, and hoping that something sticks.

Symptomatic of everything that's wrong with modern, soulless, cinema at its worst, Teenage Mutant Ninja Turtles has already been successful enough to have a sequel greenlit. Which makes me incredibly sad, despite the fact that there are a lot of other world problems I should be focusing on.

4/10

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Ani-MAY-tion Month: Despicable Me (2010)

Steve Carell is the voice of Gru in this slick, enjoyable animated feature. Gru is a criminal mastermind. In fact, he likes to think of himself as the number one criminal mastermind in the whole world, despite the constant put-downs from his mother (Julie Andrews), but his status is threatened when he finds himself being overshadowed by young Vector (Jason Segel). Gru may have his minions, and a great scientist named Dr. Nefario (Russell Brand), but he needs something more to get one over on his new nemesis. He needs . . . . . . . . . . children.

Directed by Pierre Coffin and Chris Renaud, there's a lot to enjoy in Despicable Me, thanks to the fun premise. Featuring two main villains who revel in their villainy, and a whole host of minions to win over younger viewers (if you don't know what a minion looks by now then you haven't been near any kids in the past couple of years), this is something that will easily entertain most family members. The voice cast is good, with Kristen Wiig and Will Arnett joining in with the fun, and the animation is smooth and full of interesting design choices.

Having said that, the film falls into many of the same traps that almost every other animated movie falls into nowadays. There are one or two obligatory moments just to placate anyone who paid more to see it in 3D, there's a bit of music and dancing at the very end (did Shrek start that trend, or does it just feel like it?), and there is an extra sweetness to the second half that was refreshingly minimal in the first half. Okay, okay, the last part isn't that bad, especially as viewers root for the three little orphan girls that Gru takes into his home to help him with his latest nefarious scheme.

It's not the most sophisticated movie, with many of the characters (okay, mainly the minions) acting just like naughty children, but that's not the worst crime ever. The script by Cinco Paul and Ken Daurio never quite hits its stride, but it gets some bonus points for the following reasons. One, the minions ARE funny, with their constant strange babblings and seeming inability to take anything seriously. Two, the scenes showing Gru adjusting to life as a parent are also very entertaining. Three, for anything that the movie lacks, it at least includes a Piranha Gun. YES!!! Sophistication be damned.

It's not the best from the many animated movies released in the last few years, but I think it's still a lot of fun. And it should certainly keep the kids happy, which is kinda the whole point.

7/10

http://www.amazon.co.uk/Despicable-Me-Blu-ray-UV-Copy/dp/B00E9SUTHI/ref=sr_1_2?s=dvd&ie=UTF8&qid=1397284641&sr=1-2&keywords=despicable+me+box+set

Hot Rod (2007)

Personally, I think that Hot Rod is hilarious. It's inconsistent and not one of my favourite comedies of all time, but it's damn good during the many moments when it hits that sweet spot. I also know that many people absolutely hate it so do remember that, just in case you somehow take in my praise of the movie, give it a watch one day and end up hating it so vehemently that you feel the need to track me down at home and urinate all over my movie collection.

Rod Kimble (Andy Samberg) is a young man who spends his time creating and taking part in fearless stunts. He's supported by a team that includes his younger brother (Jorma Taccone) and two good friends (Danny McBride and Bill Hader). The only problem is that Rod isn't a very good stuntman. In fact, he's rubbish. When it comes to light that his stepfather (Ian McShane) is very ill, Rod is determined to finally do something right and to raise the money needed to save his life. He will have his own courage, the spirits of the animal kingdom, a number of '80s power ballads and a very cute lady named Denise (Isla Fisher) to help him. But will it be enough?

You either like this kind of comedy or you don't. It's not surprising to learn that this was initially created as a vehicle for Will Ferrell, but Samberg brings the same unrelenting silliness to the role and proves to be fairly likeable in the lead role, even if his character teeters on the edge of being a complete douchebag at times.

Director Akiva Schaffer does a perfectly acceptable job with the material and the script by Pam Brady is full of fun lines, though I assume that a lot of improvisation was also incorporated considering the people involved.

Ian McShane has good fun throwing insults at his onscreen stepson and beating him in many fights, Will Arnett sneers dismissively (and hilariously) at Rod and his chums and there are many great lines and moments from Taccone, McBride, Hader, Fisher, Chester Tam (always dancing and eager to help the troupe) and Chris Parnell (promoting the magic of AM radio). Sissy Spacek may not get as much to do, but she's the kind, calm centre of Rod's life.

Featuring the best use of classic tune "You're The Voice" by John Farnham and a hilariously brilliant spoof of a memorable Footloose scene, this movie may have its heart in the '80s, but it's a comedy that fans may well find themselves revisiting again and again in the future.

7/10

http://www.amazon.co.uk/Hot-Rod-Blu-ray-Sissy-Spacek/dp/B001S3GDQS/ref=sr_1_2?ie=UTF8&qid=1359208278&sr=8-2