Showing posts with label aoi yûki. Show all posts
Showing posts with label aoi yûki. Show all posts

Friday, 10 January 2020

Japanuary: Your Name (2016)

Written and directed by Makoto Shinkai, Your Name is another animated film that works best when really nailing down the feelings that can overwhelm you during your teenage years. Unfortunately, there are one or two plot elements that stop it from coming together as well as it should, but that doesn't stop it from being another excellent slice of animation for fans of Japanese cinema.

Mitsuha Miyamizu lives in the small town of Itomori in Japan. Taki Tachibana lives in Tokyo. For reasons that are never really explained, and no concrete explanation is necessary, the two start switching bodies. This causes some confusion, of course, but it soon becomes clear that both of these individuals can bring out the best in one another, with Taki helping Mitsuha to become more popular with schoolfriends and Mitsuha helping Taki get a date with Miki Okudera, a young woman who works with him at his part-time job. Putting a system in place, involving notes written on paper and in their phones, the two start to work well together, but it becomes increasingly frustrating to live in such harmony with someone else you haven't met. As the two try to make a real meeting happen, some more details come to light that make things even more frustrating.

There's a good voice cast here. Ryûnosuke Kamiki and Mone Kamishiraishi do well in the roles of Taki and Mitsuha, respectively, Masami Nagasawa is very good as Ms. Okudera, and there are solid supporting turns from Etsuko Ichihara, Ryô Narita, Aoi Yûki, Nobunaga Shimazakim, Kaito Ishikawa, and Kanon Tani, all portraying friends or family members. Everyone is suited to their character.

Aside from those vocal performances, which are straightforward enough, Your Name is an interesting film for a number of reasons. It's not the best Japanese animation you could choose, in any regard. The script has one or two big plot holes in there, as is often the way with any tale that moves the pieces around in the way that this one does, there are some horrible song lyrics popping up all too frequently to underscore a number of big scenes, and even the look and movement of the animation isn't up there with the best. It's still nice to look at, you just have to bear in mind that there's a very high standard when measuring any Japanese animation against the best of their output.

The other main reason for this being so interesting is the way in which it takes such a fantastical premise, adds even more to it, and uses the whole thing to ground the main ideas of navigating some turbulent teenage times and perhaps finding someone who brings out the best in you. Mitsuha and Taki seem to be two parts of a whole person, both literally and metaphorically, and their strange bond leads to them eventually considering that they might work just as well together while inhabiting their own bodies.

Shinkai does a good enough job with everything to almost distract you from the minor failings, but the third act goes on for just a little bit too long, giving you enough thinking time to go over everything that just happened and wonder how it all worked out. Still, good on him for tying together a number of different threads and making something that manages to slide so smoothly through a number of different subgenres.

7/10

You can buy the movie here.
Americans can buy it here.


Sunday, 5 January 2020

Netflix And Chill: A Silent Voice (2016)

I hated most of my school years. Absolutely hated them. Schools are still pretty bad at being able to deal with bullying. Bullies are sly, their victims prefer to stay quiet. Telling teachers doesn't work, standing up to them can even lead to a fight which gets both of you in equal amounts of trouble, and you can't ignore a bully when they're in so many of your classes. Thankfully, you can mock them, you can get smarter than them, and you can eventually move from the area, build up your movie collection to an enviable amount, sit in your paid-up home, and mentally deliver a big fat "FUCK YOU" to all of those who helped to make your life an absolute nightmare for at least five years. Okay, that may be just me, but I am here to tell others that there is always hope. The weirdest thing about remembering those years, however, is remembering the times that I did the bullying. It happens. I still feel awful about it to this day. Trying to single out the kid who was a bit more different from the rest, trying to go along with a joke that was clearly making someone else miserable. Oh, they had dandruff (big deal), they weren't used to using deodorant yet (some people never learn, THAT'S when you need to address the issue), they were even poorer than I was, or they were just being far too annoying while also being physically weak, and therefore possibly beatable in a fight.

If you read that and I was ever involved in anything that made your life wretched and worse at an age when it should have been a lot easier just for us all to band together and battle through our education . . . please know that I am very sorry. I don't think I was ever a big threat to anyone, but I know (as much as I want to rewrite my own history) that I had some moments of being really shitty, for no other reason than to pass along the shittiness that I had been delivered by bullies.

I know, I know, you've once again stumbled on to a review here and wondered just what the hell I am wittering on about. Why this big tangent at the very start? Well, A Silent Voice is an imperfect film. The animation is nice, but not gorgeous. The characters, outwith the leads, aren't too memorable. The main story isn't really all that engrossing, in terms of how things ultimately develop en route to a third act. Yet it remains one of the best animated movies I have watched in some time, for one big reason. This film, more than any other, gives you an idea of the slippery slope of bullying, how easy it is to remain in that mindset, AND the ways in which bullying victims can continue to apologise and blame themselves for the actions of others.

The main strand of the narrative shows the relationship between Shoya and Shoko. Shoya is first shown planning a suicide attempt, and flashbacks show the life decisions that led him to that point, with the worst being his bullying of Shoko, a deaf girl first seen introduced as a new pupil at his school. As a youngster, Shoya really wasn't all that nice to some people, especially Shoka. But he improves as he gets older, although he moves through high school in an isolated and antisocial way, either deliberately keeping people away from him or assuming his past behaviour was already enough to cause them to want to avoid him. It's possible for people to change, especially moving from their younger years through their teens, and towards adulthood, but it can be a lot tougher when you consider the damage already caused to be irreparable.

Director Naoko Yamada has a decent selection of work in his filmography, from the look of things, but I am unfamiliar with anything else he has done (which is a lot of TV work, some OVAs, and less than a dozen movies). I may check out some of his other stuff one day, although I try to stick to individual movies rather than the wealth of episodic anime tales available out there, but the person who I need to remember from the list of credits here is writer Reiko Yoshida. He has a more extensive, and even more eclectic, filmography, and I am very interested in enjoying other tales from him, on the strength of his incisive work here, although perhaps I should also check out the source material by Yoshitoki Ōima.

The voice cast do well enough. Miyu Irino is the main voice for Shoya, Saori Hayami is the main voice for Shoko (although she says very few words, understandably), and the few other main voices are perfectly suitable, but the power of the film comes from the way it so beautifully illustrates different relationships and attitudes, rendering the vocal performances a distant second to the skillful visuals and artistic decisions.

Not everyone will get as much out of this. I am well aware that it resonated more strongly with me for a couple of different reasons (the spiral of self-loathing that motivates Shoya is also familiar to anyone who battles against depressive episodes). But I encourage everyone to give it a watch. Especially if, like me, you hadn't heard of it before.

8/10

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