Showing posts with label george carlin. Show all posts
Showing posts with label george carlin. Show all posts

Thursday, 23 April 2026

Dogma (1999)

Writer-director Kevin Smith has a filmography that can be rated and ranked in a number of different ways. You can pick his best film, which will always be Red State for me. You can pick his funniest film, which is where I may end up going for the wonderful silliness of Jay & Silent Bob Strike Back. Or you can pick his most fully-formed and cinematic film. That is where Dogma comes in. Very cleverly having fun with some aspects of organised religion without necessarily making fun of those who have faith, Dogma is smart, funny, and has a couple of sequences that show Smith able to deliver more than just great dialogue.

Linda Fiorentino plays Bethany, a woman who is very surprised when she is visited in the night by Metatron (Alan Rickman) AKA the voice of god. Metatron tells Bethany that she must go on a quest, one to stop two angels (Loki and Bartleby, played by Matt Damon and Ben Affleck) being allowed to reclaim their places in heaven. If Loki and Bartleny manage such a thing, only made possible by a Cardinal (George Carlin) who has stupidly offered absolution to everyone entering his church, then it will prove God to be fallible. And if God is proven to be fallible then, well, that will destroy everything. Literally. Bethany finds herself accompanied on her quest by two unlikely "prophets" (Jay and Silent Bob, played, as ever, by Jason Mewes and Smith), an apostle named Rufus (Chris Rock), and the delightful Serendipity (Salma Hayek).

At 130 minutes, this is also the longest narrative feature from Smith, but it doesn't feel it. Taking time to get all of the pieces in place during a number of opening scenes that don't start to fully intertwine into a full main throughline until some time later, Smith remembers to keep the comedy dotted throughout until he can then relax and have the most amount of fun when everyone has been introduced and set on their respective journeys. Things step up a notch whenever Rickman, Damon, or Affleck appear onscreen, but it's also fun to watch the whole thing derail momentarily when the characters of Jay & Silent Bob barge their way into the story.

While the dialogue is still clearly the area in which Smith is most comfortable, he surrounds it in this film with a number of great ideas and a real sense of everything building towards a grand and satisfying ending. The execution is imperfect, arguably hampered by what I am sure were limitations that were placed on budget and resources for a film that many would start to protest even before it was released, but Smith tries hard to deliver some set-pieces that keep viewers aware of much more happening just outwith the edges of every frame. 

Fiorentino may not be the best lead, but she does well enough as someone both confused and hesitant to keep doing what she's being told must be done. It's the rest of the supporting cast who shine though, particularly the stars who you either wouldn't normally think of as being part of a Kevin Smith film (Rickman, Carlin, Hayek, and Rock) or stars who are very much well-suited to delivering his writing (Damon, Affleck, a delightfully devilish Jason Lee). Almost everyone feels as if they're having a LOT of fun, and that fun emanates from the screen. Elsewhere, film fans will enjoy seeing small roles for Bud Cort, Brian O'Halloran, Janeane Garofalo, Jeff Anderson, and Alanis Morissette. 

It seems fitting that Smith wrote and directed a movie that could at times feel like his most mature and smartest work, and at other times had some of the main characters battling against a demon made of poo. Dogma is very often crude, in both the dialogue and the film-making tricks used to get Smith's vision onscreen, but it holds up well because the intention is always clear. Faith is good, the wide spectrum of humanity is often also good, and the worst thing to happen to religion stems from the humans who decided to twist and wield it to suit their own agenda. 

I still love many of Smith's rougher comedies. I still love Red State. This remains his greatest cinematic achievement though. Amen. 

9/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews

Monday, 2 September 2013

Scary Movie 3 (2003)

Written by Craig Mazin and Pat Proft, and directed by David Zucker, Scary Movie 3 tries hard to undo all of the bad work that led to the second instalment in the franchise being such a stinker. It's interesting to note that things seem considerably improved thanks to the removal from the series of anyone with the Wayans name.

The plot is absolute nonsense, blending The Ring with Signs and mixing in plenty of references to Eight Mile, The Matrix movies and The Sixth Sense. Anna Faris returns as Cindy, the nominal heroine of the franchise, and Regina Hall is Brenda Meeks once more, but this time they are joined by Simon Rex and Charlie Sheen, two actors who do much better with the comedic material than anyone named Wayans. Rex and Sheen play two brothers living on a farm, with the former wanting to make his name as a renowned rapper and the latter just wanting to be left in peace after a personal tragedy revealed during the movie.

Although I enjoy this instalment more than any other in the series, including the first movie, it still suffers from the fact that it crams in so many juvenile, lowbrow gags amongst the better moments. The Eight Mile scenes, in particular, are both amusing and absolutely on target, while so many of the other gags are thrown onscreen to see what sticks and what doesn't. The good news for all involved this time is that many of them stick.

Zucker is an old hand with this stuff, and he does fine by the material. The script may not win any prizes but it's so much better than the awful movie that preceded it that, well, maybe it should.

Faris is as likeable as ever, Hall is a lot of fun as Brenda and both Rex and Sheen are great additions to the franchise. The cast also includes Jeremy Piven, in a small but enjoyable role, Anthony Anderson and Kevin Hart having a lot of fun, Queen Latifah, Eddie Griffin and George Carlin helping to gently mock the world of The Matrix, and Leslie Nielsen as an incompetent President Of The United States.

Is it a movie I will seek out to rewatch again and again? No, none of the Scary Movie comedies will ever top my list of viewing priorities. This third outing, however, is one that I can always enjoy watching if I chance upon it while it is being shown on TV.

7/10

http://www.amazon.co.uk/Scary-Movie-Collection-DVD/dp/B001ECPV6Q/ref=sr_1_11?ie=UTF8&qid=1377373211&sr=8-11&keywords=scary+movie



Monday, 10 June 2013

Bill & Ted's Bogus Journey (1991)

The boys are back, and this time they're going to Hell. The original title of this film was, in fact, originally going to be "Bill & Ted Go To Hell" but, apparently, many Americans are put off by anything that uses the word Hell so that was changed. Thankfully, most of what made the first film so enjoyable was kept the same.

Alex Winter and Keanu Reeves reprise their main roles as, respectively, Bill S. Preston Esq. and Ted Theodore Logan. This time the future is jeopardised by the wicked De Nomolos (Joss Ackland), a man who has had enough of people being excellent to each other and enjoying rock 'n' roll music. He decides to crash the party in spectacular fashion, by using the time-travelling phonebox to send back evil robot versions of the boys, killing the real pair and then ruining their lives and musical career. It's a cunning plan, and one that looks as if it will work when Bill and Ted are killed off pretty quickly. But death doesn't have to be the end.

It may be a new director at the helm in the shape of Peter Hewitt, but writers Chris Matheson and Ed Solomon (whose name is reversed for the name of the villain) are back and clearly out to do their best for two characters embraced so readily by audiences the first time around.

Winter and Reeves slip back into their roles as easily as any of their casual clothing. They have some fun playing the bad robots, but always seem more at ease being the optimistic, naive, good guys. Rufus (played by George Carlin) returns, as do the princesses from the first film, although they are now played by Annette Azcuy and Sarah Trigger and they have slightly more screentime. Great support comes from Amy Stock-Poynton, Chelcie Ross, Pam Grier and many others (including Hal Landon Jr. and Roy Brocksmith, two men who at one point have to bravely attempt to act as if their bodies have been inhabited by the spirits of our leading dudes). But the highlight of the movie is William Sadler, hilariously deadpan - no pun intended - in the role of the Grim Reaper. The film moves along nicely before he appears, but as soon as his character starts to interact with Bill and Ted the whole thing is lifted slightly, putting it on a par with the first film.

People expecting more time travel shenanigans may be slightly disappointed, but the main premise IS based on altering timelines and the finale has some fun with the familiar phonebox. There are lots of great characters, all of them in the shadow of the Grim Reaper (suitably enough, I suppose), and a rousing rock song or two on the soundtrack, including the mighty God Gave Rock 'N' Roll To You. If you enjoyed the first movie then you'll enjoy this movie.

Station!

8/10

 http://www.amazon.co.uk/Bill-Teds-Bogus-Journey-DVD/dp/B00005KIVU/ref=sr_1_1?ie=UTF8&qid=1370204606&sr=8-1&keywords=bill+and+ted%27s+bogus+journey





Sunday, 9 June 2013

Bill & Ted's Excellent Adventure (1989)

You may wonder just what could appeal to anyone above the age of 15 in a movie about two dim-witted metalheads who need to travel through time in a telephone box to improve their chances of presenting a very important history report. It's a fair query, but it's also one that has a fair answer.

There's no denying that Bill & Ted's Excellent Adventure is mainly a teen film, but the main characters are so naive and sweet that nothing about the movie really feels as if it's a film JUST showing how cool young things go through their daily lives. It's a film, like many others, about believing in yourself. It's a film about friendship. And it's a film about being excellent to each other. Which, let's face it, isn't the worst message for a teen film to contain.

Alex Winter is Bill S. Preston, Esq. and Keanu Reeves is Ted Theodore Logan. The two young men don't know it, but they will be a pretty big deal in the future. However, that will only happen if they pass that important history assignment, a moment in their lives that is so crucial that a man named Rufus (George Carlin) is sent back in a time-travelling telephone box to hand it over to them and give them the best chance of making everything right for a future generation. Bill and Ted decide that the best thing they can do is actually pick up a few historical figures in order to impress their teacher (Bernie Casey), and to also maybe fall for a couple of princesses (played by the lovely Diane Franklin and Kimberley LaBelle).

Bill & Ted's Excellent Adventure benefits from a surprisingly witty script from Chris Matheson and Ed Solomon (it may be daft, but it's far from all daft and the time-travel trickery is enjoyably realised), good direction from Stephen Herek that makes the most of the material and resources available and, perhaps most of all, spirited performances from the leads and everyone else involved. Terry Camilleri, Dan Shor, Tony Steedman, Rod Loomis, Al Leong, Robert V. Barron, Clifford David and Jane Wiedlin (as in Jane "Rush Hour" Wiedlin) have fun as they pretend to be, respectively, Napoleon, Billy The Kid, Socrates, Sigmund Freud, Genghis Khan, Abraham Lincoln, Ludwig van Beethoven and Joan Of Arc. Carlin is great as Rufus and Amy Stock-Poynton provides some amusement as the young lady who was once at school with Bill and Ted, but is now Bill's stepmother.

Maybe I am desperately trying to cling on to my last shred of youthful spirit so my opinion should be taken with a pinch of salt, but I think this movie still works well with anyone who still has an urge to turn up the volume when a favourite rock song comes on. The fact that it encourages a responsible mix of partying and learning, because learning is shown here as a GOOD thing, probably upsets as many people as it pleases. Which I just view as another aspect of the film that is most excellent.

8/10

http://www.amazon.co.uk/Bill-Teds-Excellent-Adventure-DVD/dp/B001D07Q8K/ref=sr_1_1?ie=UTF8&qid=1370200449&sr=8-1&keywords=bill+and+ted