Scary Movie (2026)

Okay, admittedly, I was never a big fan of the first couple of Scary Movie releases. I've not really been won over by any of the Wayans brothers movies from the past couple of decades. But I knew I'd still have to watch this eventually. I just didn't expect to see it at the cinema. One free ticket and some bad timing, however, and that's just what I ended up doing recently.

I'm sure that everyone else actually wanting to see this film will go to it and have a good time. They won't think of it as the best in the series, but they'll have enough laughs and claim that anyone who didn't enjoy it is just brainwashed nowadays by the "woke-erati", or whatever the latest buzz-word is. Because this film has been advertised as something that will cross every line and upset those who get easily offended. It doesn't even come close to that. It's lazy, self-satisfied, nonsense. Most importantly, it made me laugh only two or three times throughout the entire 96-minute runtime.

I'll do the courtesy of describing a plot, despite the fact that there really isn't one. A killer is back on the scene, and may be aiming to kill off Cindy (Anna Faris) and Brenda (Regina Hall). That's an excuse for everyone else to join the leads, whether it's Shorty (Marlon Wayans), Ray (Shawn Wayans), Doofy (Dave Sheridan), Greg (Lochlyn Munro), or Gale (Cheri Oteri). There are also some younger characters to be put in peril, such as Cindy's daughters, Sara (Olivia Rose Keegan) and Tuesday (Savannah Lee Nassif), and Brenda's children, including the *sarcasm font required here* hilariously-named DEI (Sydney Park).

I'll begrudgingly excuse some of the laziness here. Considering the main slasher movies being targeted by this series, it's appropriate that this instalment gets the gang back together in the laziest and most implausible way. Because that's basically what happened in Scream (2022). It's also fine to have some fun with the newcomers before ensuring that the older stars get their flowers due to them.

What isn't fine is the laziness throughout. While it may not stoop to the levels of the dire Friedberg/Seltzer movies we endured a couple of decades ago, this is painfully unfunny and unimaginative throughout. A spoof of Sinners is an excuse to make many more gags about the not-so-closeted homosexuality of Ray (a joke that was tired by the second movie). A spoof of Get Out is an excuse for some more sex gags, before transitioning into a rare highlight, a well-animated riff on KPop Demon Hunters. Two gags made me laugh, one referencing Candyman and the other referencing the imagery of Weapons. That's it. More should have been done with The Substance, anything would have been better than the horribly smug fan-service moment it delivers, and there are so many other movies that could have been thrown into the mix. But that would show a love for the horror genre, and I don't think the Wayans brothers have any love for the horror genre. According to the third act of this film, as well as a number of gags elsewhere, the Wayans brothers mostly love themselves. They believe themselves to be some kind of comedy film legends, but their filmography doesn't bear that out.

Faris and Hall are people I really like watching in movies. It's a shame that they've spent so much time stuck in this turgid series. At least they help to lessen my pain while I endure them though, which is more than I can say for Marlon Wayans (Shorty is one of the most annoying movie characters in the entire history of the movies, as far as I'm concerned). The younger cast members generally do well as they gamely work with the weak material given to them, and Keegan is particularly enjoyable when being silly. Nobody can do enough to save the film from the director (Michael Tiddes) or writers though (four of the Wayans brothers and Rick Alvarez), who are all pre-occupied with finding the easiest option for anything they mistake for a punchline.

Despite the advertising, there aren't really any lines crossed here. I'd even say that there are some progressive moments, compared to the first movie in the series anyway. Overall, this is a childish attempt to put together a collage of moments that those involved thought would offend those who don't really like these movies anyway. The only people it really offends are those who want their comedy movies to contain enough actual comedy. Others seem to be buying into the hype though, sadly, and I won't be surprised if this ends up being the most financially successful instalment of the series, to date.

3/10

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Lovers Lane (1999)

Considering I had never heard of Lovers Lane before deciding to give it a blind buy when it received a shiny new disc release, my expectations were understandably low. There aren’t any big names leading the proceedings (Anna Faris has a supporting role, and she is the most well-known cast member, as far as I can tell), the plot revolved around the idea of the hook-handed killer we have seen utilised in one or two decent horror movies already, and it looked like a very traditional approach to the sub-genre while other slasher movies were trying to find fresh ways to deliver the gory goods.

While I was unfamiliar with most of the people onscreen, I was equally unfamiliar with director Jon Steven Ward and writers Geof Miller and Rory Veal. Or so I thought. I had seen a couple of other films written by Miller, but nothing that you would present to people as a standout script.

Aside from Faris onscreen, Lovers Lane focuses on a couple of young main characters played by Riley Snith and Erin Dean, and I didn’t mind either of them. While maybe not shining stars, both are likeable enough for you to care when they start to look more likely to meet the business end of a sharp hook. There’s also a fun turn from Sarah Lancaster, being both beautiful and entertainingly ruthless, and the main adults who end up spending a night trying to catch a killer are played by Matt Riedy (a sheriff), Richard Sanders (a doctor), and Suzanne Bouchard (school principal). Every adult has a teen who could be in grave danger, of course, and the cast does okay with a very weak script.

I haven’t given any full plot description here, mainly because there’s no point. An opening sequence has some gratuitous gore and nudity to establish the killer with the hook, and we then move forward years later to watch a night when that same killer escapes his secure accommodation. But horny teens still want to be horny teens, which allows for a good selection of victims.

While this is clearly never bothering the titles at the top of the slasher movie tree, Lovers Lane tries to keep everything fun for the majority of the runtime. No other moments equal the strength of the opening, but the pacing isn’t too bad, the characters generally do enough to feel like individuals, and the finale throws in enough fun twists and lunacy as it shows that it isn’t just the very familiar tale you thought it was going to be.

There are things that could be better, of course. From the music to the gore gags, and one or two more major death scenes wouldn’t have gone amiss, but this is an above-average slasher that remains worth your time for at least one viewing. And if you think it is the worst example of this type of thing, feel free to ask me about the ones that you should really continue to avoid at all costs.

6/10

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Overboard (2018)

I tend to like Anna Faris. She's always amused me and I get the feeling that she never takes her success for granted. In fact, like many other actors, she seems to spend most of her time worried about being found out as an impostor. I remember hearing her say some years ago that Overboard (1987) was her favourite movie of all time, which made the news that it was being remade just slightly more bearable when I knew she was bagging one of the main roles. Unfortunately, nothing else here really works, and it certainly doesn't get anywhere near the sheer fun nature of the original.

Eugenio Derbez is the rich, rude, person this time around. He plays Leonardo Montenegro, and ends up overboard in the first act, of course. Faris is Kate Sullivan, a single mother struggling to make ends meet. Her only encounter with Leonardo ended in disaster, as he not only refused to pay her for her time but also threw her cleaning equipment into the water. Which helps to motivate Kate when the news displays Leonardo as someone who has washed ashore with no memory of who he is. She is now going to make him a hard-working husband and father, just long enough for her to feel she has been given what she is owed. Well...maybe a bit more.

Based on the original script by Leslie Dixon, this update cannot do enough to maintain enough laughs while also staying self-aware enough to acknowledge the problematic nature of the main premise. Bob Fisher and Rob Greenberg, who also directs, don't help. If it was anyone other than Faris in one of the main roles then this would have been unwatchable. As it is, it meanders along from start to finish, sprinkling occasional amusing lines in between moments that show the two leads finding a "surprising" connection that will have to be broken in time for the big finale.

It's no surprise to see that Greenberg has a filmography full of various TV projects. Overboard certainly feels like a TV movie that somehow managed to sneak into cinemas, the material so flat and lacklustre that it can't even be saved by supporting turns from Swoosie Kurtz and Eva Longoria (who are, frankly, standouts in a supporting cast that is missing a required injection of personality, although John Hannah also does a decent job).

But the biggest lack of personality is felt whenever Derbez is onscreen. I didn't think I was overly familiar with the filmography of Derbez but it turns out that I have seen a number of films that have had him there, in supporting roles, and I have just never registered him. I was going to be charitable and consider the fact that Derbez wasn't used to comedy but it appears that most of his movie roles have been in comedies, making it more bewildering that he isn't any better here. He's lucky to be working alongside Faris, who carries the whole movie along the track and over the finish line, thanks to her sheer force of will and personality. And the child actors all do well too, I shouldn't forget about them.

This was always going to be a difficult film to remake, especially at a time when it is much more difficult to overlook the many egregious behaviours and stereotypes that are often seen in romantic comedies, but there's no excuse for delivering something THIS bland.

3/10

You can buy the movie here.
Americans can buy the movie here.

Prime Time: Just Friends (2005)

Just Friends is a fun, if forgettable, rom-com that features a great cast (mainly Ryan Reynolds, Anna Faris, Amy Smart, and Chris Klein), an average script, and a number of predictable moments on the way to a finale you can see coming a mile away, even if you've only seen a handful of other romantic comedies. It's also, to my surprise, a little darker than I recall it being, especially when you consider that the main character has become so determined and bitter in his adult life all because he resents his teenage years that saw him left in "the friend zone"*.

Reynolds is Chris Brander, a young man we first see being fairly humiliated by his fellow teens as he confesses his true feelings, in a heartfelt message, to the beautiful Jamie Palamino (Amy Smart). Jamie doesn't feel the same way about Chris.
Years later, Chris has changed. He no longer needs to wear a retainer. He's lost a bit of weight. And he ensures that no woman he is interested in ever puts him in "the friend zone". He's got everything exactly how he wants it, apparently. But that looks as if it could change when he ends up back in his hometown, looking after a crazy pop star (Samantha James, played by Anna Faris), and figuring that it could be a perfect time to reconnect with Jamie.

Directed by Roger Kumble (who started out strong with Cruel Intentions and then followed that up with the one two punch of, ummmmm, Cruel Intentions 2 and The Sweetest Thing) and written by Adam Davis, Just Friends is, in some ways, more in line with some of the anti-rom-coms that we've had over the years. Despite the lead character being appealing because he has the appearance and charisma of Ryan Reynolds, his motivation is, for the most part, decidedly dark and unpleasant. To put it in simplistic and very coarse terms, he has spent years trying to bang away the bad memories of his youth and now figures he can settles the score with what would really amount to a standard "grudge fuck", albeit one wrapped up in a confusing mess of good memories and past good intentions. If you weren't sure about this, the film spells it out on a couple of occasions, firstly by pinning so much of the plot on the fact that the fragile male ego cannot accept being "friend-zoned" and, secondly, by giving us another character who is essentially working in the same way as the main character, but without any self-delusion about his intentions.

Reynolds is as fun as he usually is in the lead, charming and witty enough to distract you from the, at best, misguided heart of his character until he is forced to face up to some home truths. Smart, an actress who has given wildly uneven performances throughout her career, is an appealing romantic interest, sweet and pretty and believably unaware of the feelings that others may have for her. Faris is hilarious, as she so often is, and Chris Klein has a lot of fun in his role, playing another admirer of Jamie who seems to be almost saintly in the way he lives his life. Christopher Marquette is a lot of fun, in annoying younger brother mode, and it's always nice to see Julie Hagerty, here as the mother of our lead.

If you're after a Reynolds vehicle to watch then he's done much better stuff since this, but he's also done a few things that are worse. This is good, not great, but certainly develops into something much more interesting and thought-provoking than first impressions would suggest.

*I have used quotation marks around every use of the term "friend zone" because I think we're all aware nowadays that it isn't actually a thing and if someone does give you a great friendship then they aren't obliged to offer you any more than that, no matter how it makes you feel.

6/10

You can buy the movie here.
Americans can buy it here.

The Emoji Movie (2017)

I expected the worst from The Emoji Movie, and I am sure I wasn't alone. It's an animated film about emojis. Nobody was expecting a masterpiece, even most of the kids who would still go along to see it for easy entertainment. So you can imagine my surprise when I found that it wasn't actually THAT bad. Not that it's anything great, especially when compared to the many other animated ovies we have been spoiled with in recent years, but it's not bad enough for me to fill this review with numerous Patrick Stewarts (who voices a poop emoji - oh dear, Sir Patrick, oh dear, oh dear).

The plot focuses on a "meh" emoji named Gene (T. J. Miller), living with all of the other emojis inside a mobile phone. Gene struggles to maintain the one expression that is supposed to serve him throughout every day of his life. And this causes him to stress out when it comes time for his first day as a working emoji, setting in motion a chain of events that sees Gene go on the run with a Hi-5 emoji (James Corden) to find someone who can help fix the situation before either Gene is deleted or the whole phone is wiped.

Let's be honest here, the biggest problem that The Emoji Movie has is the central concept. It feels quite obviously cynical and like one big dollop of product placement (are emojis commodities? I guess they can be). But we should be used to that by now. We've had five live-action Transformers movies, we've had two G.I. Joe films, and I believe it's well-known that Joel Schumacher was shown a number of new toys that had to feature in Batman & Robin a couple of decades ago. Some movies are great art, some are great fun, quite a few try to entertain us while selling us stuff (be it cool products or the search for a daydream we keep seeing realised up there on the big screen), and some are just complete poop emojis.

I am sure that many people will disagree with me, but The Emoji Movie manages to avoid being a complete pile of poop thanks to a lot of fun visual gags and the nice way the world inside the mobile phone is visualised. Yes, my eyes rolled when I saw some of the other apps (some being more obvious in their prominent placement than others) but the journey taken by Gene, Hi-5, and Jailbreak (Anna Faris, voicing a character who offers to help them reach an app that may fix everything) is worked out well enough, with decent fun to be had in every main section.

Director Tony Leondis, who also co-wrote the screenplay with Eric Siegel and Mike White (John Hoffman also contributing some material), does a decent job, because enough thought was given to the world and the best use of all the characters. A lot of the gags are obvious, but that doesn't mean they aren't fun.

Vocally, Miller is a good fit for the lead, Corden is at his usual level of annoying overexuberance, Faris is solid, and there are great turns from Maya Rudolph, Jennifer Coolidge, and the superb Steven Wright (if ever there was a voice created for a Meh emoji then his is it).

Kids should enjoy it - the story is simple, the visuals are bright, and the characters are nice enough - and adults should find it relatively painless, but I suppose it's best to sum it up by saying that, well, it's not a very good film compared to so many other films . . . but it's also not a film worthy of numerous poop emojis.

5/10

https://www.amazon.co.uk/Emoji-Movie-Blu-ray-Region-Free/dp/B074F2X559/ref=tmm_blu_swatch_0?_encoding=UTF8&qid=&sr=

The House Bunny (2008)

Anna Faris stars in this light comedy, one that you may already be predisposed to love or hate, depending on how you feel when you see the Happy Madison logo pop up at the start. Faris is as good as ever, but it's a shame that the movie isn't better, despite a pretty great cast supporting her.

Faris is Shelley Darlingson, a Playboy bunny who ends up having to leave the Playboy mansion. She has nowhere to live, and no skills that seem relevant to any other aspect of modern life, but that doesn't matter when she chances upon a sorority house in need of a house mother. Well, they need a lot more than that. The girls are down in the dumps, they're unpopular, and can't see any way to turn things around They will lose their house if they don't get at least 30 pledges and also improve their standing in a few other ways. Shelley may not know much, but she does know how to give the girls a makeover, and may be able to help them achieve their goals.

Director Fred Wolf goes through the motions here. There's a montage or two, some lively pop tunes, and everything is light and colourful. The script by Karen McCullah and Kirsten Smith is predictable, not that funny, and often requires more suspension of disbelief than I could muster. I don't mind the ridiculous premise, but I did get irritated when a main character who wasn't supposed to have two cents to her name suddenly had enough for shopping trips, makeovers and an extravagant theme party.

I'd dismiss this as unwatchable nonsense if it wasn't for the cast, all trying to do their best with the material. Faris has been elevating weak comedies for over a decade now, but it's good to see her working with a cast all trying equally hard. Christopher McDonald and Beverly D'Angelo are the two veterans making things hard for the sorority house, Hugh Hefner has an amusing cameo, and Sarah Wright and Rachel Specter are the popular girls in a nearby sorority house who look down their noses at the main characters. Colin Hanks is fine, if a bit bland, as Oliver, a man who Shelley ends up taking a shine to, and Tyson Ritter is given the thankless role of a shallow, potential love interest for Emma Stone's character.

Oh, did I just mention Emma Stone? Yes I did. She's another big bonus here. Her comedic talent is well utilised, especially in the first half that allows her to go "full dork". Kat Dennings is another one of the main ladies, and she's also good fun, while Katharine McPhee, Rumer Willis, and Dana Goodman also stand out, for a variety of reasons.

I can't, despite the game cast, class this as a good movie. It's not. But it does just enough to make it worth a watch, especially if you're in the mood for something simple, light, and full of pretty women.

5/10

http://www.amazon.com/The-House-Bunny-Anna-Faris/dp/B0018CNNV2/ref=sr_1_2?ie=UTF8&qid=1402725342&sr=8-2&keywords=the+house+bunny

One day I hope to be a bunny. Or buy one (the pet kind). Or just pretend to be Hugh Hefner in a very nice dressing gown. So please feel free to remember me whenever you're visiting Amazon and see my book there.

The UK version can be bought here - http://www.amazon.co.uk/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1395945647&sr=1-3&keywords=movie+guide

And American folks can buy it here - http://www.amazon.com/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_fkmr0_1?ie=UTF8&qid=1395945752&sr=8-1-fkmr0&keywords=TJs+ramshackle+mov

As much as I love the rest of the world, I can't keep up with all of the different links in different territories, but trust me when I say that it should be there on your local Amazon.

Ani-MAY-tion Month: Cloudy With A Chance Of Meatballs 2 (2013)

I really enjoyed Cloudy With A Chance Of Meatballs. Really REALLY enjoyed it. So I don't know why I assumed the sequel was just some rushed cash-in, without any of the same people in the main voice roles. It's not. In fact, this is a sequel on a par with the first movie. It's consistently cute from start to finish, but manages to undercut that cuteness with sharp humour, amusing puns (okay, I found some of them hilarious), and bright, imaginative sequences throughout.

Leading directly on from the events of the first movie, the residents of Swallow Falls are invited to move elsewhere while their island and town are cleaned up. Inventor Flint Lockwood (Bill Hader) is given the chance of a lifetime, when he's offered a job at LIVE Corp, the company ruled over by his hero, Chester V (Will Forte). But Chester V has a secret agenda, and only wants Flint nearby to keep an eye on him. The machine that caused so much trouble in the first movie hasn't shut down. It is, in fact, now helping to create a variety of food-based lifeforms. Flint is asked to go back to the island to help fix the situation, and his friends won't let him go back alone.

Just like the first movie, every aspect of this film just feels right. That's not to say that it's a perfect film, oh no, but it IS a load of fun from start to finish, full of creativity and jokes that should make you laugh out loud (well, they made ME laugh out loud). Hader and Forte are both very good in their roles, but they're helped out by a supporting cast that includes Anna Faris, Andy Samberg, Benjamin Bratt, James Caan, Terry Crews (voicing the character originally voiced by Mr. T in the first film), and Kristen Schaal.

Directors Cody Cameron and Kris Pearn have a lot of fun working from the script by Erica Rivinoja, John Francis Daley and Jonathan M. Goldstein. They have so much fun, in fact, that it fills up almost every frame, guaranteeing that viewers of all ages will keep smiling throughout.

Anyone who hates some quality punning may be a bit put out, but I distrust anyone who hates some quality punning anyway. Everyone else is pretty much guaranteed a great time. If you liked the first movie as much as I did then you'll also like this. It's smart, it's silly, it's highly rewatchable. Get to it ASAP if you have good taste (taste, see, because of all the food content in the movie - see? See?).*

8/10

http://www.amazon.com/Cloudy-Chance-Meatballs-Disc-Combo/dp/B0090SI39I/ref=sr_1_4?s=movies-tv&ie=UTF8&qid=1399762396&sr=1-4&keywords=cloudy+with+a+chance+of+meatballs+2

*Yeah, sorry about that.

Scary Movie 4 (2006)

It may not be quite as good as the preceding instalment, but Scary Movie 4 is a surprisingly good comedy, thanks mainly to the material being enjoyably childish as opposed to the irritating crudeness of the first two movies in the series.

This time around the series pokes fun at the Saw franchise, War Of The Worlds, The Grudge and The Village, among other targets. Anna Faris and Regina Hall both return as Cindy and Brenda, respectively, and Simon Rex, Charlie Sheen, Anthony Anderson and Kevin Hart briefly reprise their roles from the third movie, but this isn't overly concerned with maintaining any perfect continuity. It's just another opportunity to take characters that audiences seem to like and drop them into some outrageous situations.

The main new addition to the cast is Craig Bierko, playing Tom, the everyman hero based on the character played by Tom Cruise in War Of The Worlds (and, in some latter scenes, simply based on Tom Cruise in real life). When an alien invasion upsets everyone's day, Tom tries to protect his son and daughter while also assuring Cindy that they will find each other after they have both done what they have to do. Cindy, you see, is also busy trying to figure out why she keeps seeing the ghost of a small, Japanese boy and what exactly he may be trying to tell her.

The best thing to happen to the Scary Movie series is David Zucker taking over the directorial duties (well, that was the best thing to happen until the dire Scary Movie V) and this shows, once again, just how much fun he can wring out of potentially groan-inducing stuff. The script, by Craig Mazin, Pat Proft and Jim Abrahams, isn't exactly the sharpest or smartest, but Zucker puts together a fun cast and does well with budget. This isn't a movie that looks cheap, although it's worth noting that it doesn't make the mistake of looking too polished either.

The cast is a huge plus point, as it was in Scary Movie 3, with those involved including, but not limited to, Bill Pullman, Leslie Nielsen (reprising his role as the inept POTUS), Molly Shannon, Carmen Electra, Phil McGraw AKA Dr. Phil, Shaquille O'Neal, Michael Madsen, Chris Elliott (almost, but not quite, as annoying as he was in Scary Movie 2) and Cloris Leachman. Plus those already mentioned above.

If you've seen, and enjoyed, the other movies then there's no reason for you not to be pleased by this one. It's just a shame that the next film, released seven years later, was such a massive drop in quality. Viewers should stop at this one. In fact, I implore you to do so. For your own mental wellbeing.

6/10

http://www.amazon.co.uk/Scary-Movie-Collection-DVD/dp/B001ECPV6Q/ref=sr_1_11?ie=UTF8&qid=1377373211&sr=8-11&keywords=scary+movie

Scary Movie 3 (2003)

Written by Craig Mazin and Pat Proft, and directed by David Zucker, Scary Movie 3 tries hard to undo all of the bad work that led to the second instalment in the franchise being such a stinker. It's interesting to note that things seem considerably improved thanks to the removal from the series of anyone with the Wayans name.

The plot is absolute nonsense, blending The Ring with Signs and mixing in plenty of references to Eight Mile, The Matrix movies and The Sixth Sense. Anna Faris returns as Cindy, the nominal heroine of the franchise, and Regina Hall is Brenda Meeks once more, but this time they are joined by Simon Rex and Charlie Sheen, two actors who do much better with the comedic material than anyone named Wayans. Rex and Sheen play two brothers living on a farm, with the former wanting to make his name as a renowned rapper and the latter just wanting to be left in peace after a personal tragedy revealed during the movie.

Although I enjoy this instalment more than any other in the series, including the first movie, it still suffers from the fact that it crams in so many juvenile, lowbrow gags amongst the better moments. The Eight Mile scenes, in particular, are both amusing and absolutely on target, while so many of the other gags are thrown onscreen to see what sticks and what doesn't. The good news for all involved this time is that many of them stick.

Zucker is an old hand with this stuff, and he does fine by the material. The script may not win any prizes but it's so much better than the awful movie that preceded it that, well, maybe it should.

Faris is as likeable as ever, Hall is a lot of fun as Brenda and both Rex and Sheen are great additions to the franchise. The cast also includes Jeremy Piven, in a small but enjoyable role, Anthony Anderson and Kevin Hart having a lot of fun, Queen Latifah, Eddie Griffin and George Carlin helping to gently mock the world of The Matrix, and Leslie Nielsen as an incompetent President Of The United States.

Is it a movie I will seek out to rewatch again and again? No, none of the Scary Movie comedies will ever top my list of viewing priorities. This third outing, however, is one that I can always enjoy watching if I chance upon it while it is being shown on TV.

7/10

http://www.amazon.co.uk/Scary-Movie-Collection-DVD/dp/B001ECPV6Q/ref=sr_1_11?ie=UTF8&qid=1377373211&sr=8-11&keywords=scary+movie

Scary Movie 2 (2001)

After the success of Scary Movie everyone knew that a sequel was going to happen. I'm not sure if many people thought the thing would become a money-making franchise, but the sequel was definitely coming, whether we liked it or not. Keenen Ivory Wayans returned to direct and the script was whipped into shape by no less than SEVEN writers. Seven writers and this is the best that they came up with? Someone needs to change job, in my opinion.

Starting off with a fairly amusing spoof of The Exorcist, made all the better thanks to a fantastic cameo from James Woods, the whole thing swiftly moves on to parody numerous haunted house movies. The Haunting, The Legend Of Hell House, The Changeling, What Lies Beneath, Poltergeist and . . . . . . . . . . . . . Hollow Man and Charlie's Angels all find themselves on the receiving end of some unsubtle spoofery. A group of young folks - Anna Faris, Regina Hall, Kathleen Robertson, Tori Spelling, Marlon Wayans, Shawn Wayans and Christopher Masterson - all head out to a big, slightly spooky house as part of a school project. While there, they are also in the company of their professor (Tim Curry), his wheelchair-bound assistant (David Cross) and a strange house servant (Chris Elliott) with a deformed left hand. Oh, and the ghosts. They're also in the company of a lot of ghosts.

When I first watched Scary Movie 2 I thought it was one of the worst movies that I'd ever seen. I wasn't far wrong, and it's certainly not a film I would recommend to anyone, but I must admit that I do manage to get a few giggles from it when rewatching it nowadays. The opening section is particularly fun, but then it starts to go downhill fast.

The franchise gets a fair bit of goodwill from me thanks to the inclusion of Anna Faris and Regina Hall, both funny women who always try to make the best of the material. This is, however, offset by the fact that Shawn Wayans plays the most annoying character, Shorty, in any comedy franchise that I can think of. The rest of the cast here do okay, with the exception of Chris Elliott, who is the SECOND most annoying character in any comedy franchise.

Once again mixing crude gags amongst the spoof moments, and once again including a pop culture reference outdated within years of its release (this time it's a GAP advert), this should appeal to fans of the first movie, but even they might see sense and decide to skip it in favour of other instalments in the franchise.

4/10

http://www.amazon.co.uk/Scary-Movie-Collection-DVD/dp/B001ECPV6Q/ref=sr_1_11?ie=UTF8&qid=1377373211&sr=8-11&keywords=scary+movie

Take Me Home Tonight (2011)

Based on a story by Topher Grace and Gordon Kaywin, Take Me Home Tonight is a 21st century John Hughes movie in the mould of Sixteen Candles and Ferris Bueller's Day Off and that, in case you didn't know it, is a good thing.

As well as coming up with the central idea, Topher Grace also stars in the film as Matt Franklin. It's 1988 and Matt has never realised his potential since he left MIT. He just can't bring himself to be passionate about the materialism surrounding him. Thankfully, there's a BIG party to attend that should take his mind off things for a while. He goes along with his friend Barry (Dan Fogler), who was JUST fired, and his sister Wendy (Anna Faris), who is considering throwing away a potentially great future to settle into the role of supportive partner to her boyfriend. The party should be a lot of fun but, more importantly, it should also be graced by the presence of Tori Frederking (Teresa Palmer), the girl with whom Matt has been in love with for many years. Everything is in place for a wild and crazy night and the four partygoers may just find that they look at the world a little differently in the morning.

Directed by Michael Dowse, with Jackie Filgo and Jeff Filgo responsible for spinning the story into a full screenplay, Take Me Home Tonight is energetic, funny and also quite sweet in places. But if you like your comedy a bit more raucous and illegal then never fear - there's also car theft, a LOT of cocaine and a weird sexual encounter between Barry and a character played by Angie Everhart.

The cast all do a great job. I've always liked Topher Grace and he's never turned in a performance yet that's changed my mind (do check out the excellent In Good Company f you've not seen it already). Anna Faris can do the light comedy stuff in her sleep but she doesn't go over the top here and her character is one to root for, as are all of the leads. Fogler is just hilarious and gets the lions share of the best lines, most probably due to some great improv. He also gets a great dance off sequence. Teresa Palmer is required to look lovely enough for Matt to desire so badly and she does that easily. She also acts just as well as anyone else onscreen even if she has the least to work with, in terms of character development (her character is already set, pretty much, but Matt has to find out about her while also aiming to impress). Michael Biehn is excellent as the father just wanting his son to try to do something with his life, even if he screws up in the process, while Lucy Punch and Michelle Trachtenberg play two very different party attendees. Oh, and Angie Everhart takes part in that hilariously weird encounter already mentioned above.

Just writing this review has brought a smile to my face and made me want to rewatch the movie and if that's not one of the best recommendations for a comedy then I don't know what is. I'm going to be buying this one ASAP and rewatching it whenever the mood strikes. I advise others to do the same. Or at least give it a watch if it pops up on the TV schedules.

8/10

http://www.amazon.co.uk/Take-Me-Home-Tonight-Blu-ray/dp/B004V2U4IQ/ref=sr_1_2?s=dvd&ie=UTF8&qid=1348996092&sr=1-2

Scary Movie (2000).

Most fans know by now that Scary Movie was the original title for Scream, which provides the main target for this parody.

Most fans also know, I hope, that Scary Movie isn’t all that good. Oh, it’s certainly not the worst (that would be Scary Movie 2) but it’s a horror comedy superceded by movies like Student Bodies, Bloodbath At The House Of Death (reviewed in this blog just last week) and even Shriek If You Know What I Did Last Friday The Thirteenth, in my view.

The plot? Well, it’s essentially the plot of Scream mixed with a liberal sprinkling of moments from I Know What You Did Last Summer. And a Budweiser advert. And the obligatory, for the time anyway, Matrix gag.

The cast is a real mixed bag. Anna Faris is quite a delight and a wonderful, natural comic talent. I also really like Regina Hall even though her character is often annoying as hell. Jon Abrahams? He’s not bad but not all that great either. Cheri Oteri is pretty funny as Gail Hailstorm. Then we have two of the Wayans brothers. Marlon Wayans is, quite possibly, THE most irritating character to be included in a comedy movie ever while Shawn Wayans wrings a few more laughs out of numerous jokes questioning his character’s sexuality. Kurt Fuller gets some decent moments but the rest of the material is very much hit or miss.

The direction by Keenen Ivory Wayans simply allows for the parade of obvious gags and hammers home everything for fear of leaving any of the material seeming too subtle.

It’s no surprise to see the Wayans brothers names in the script department either but, more tellingly, the big warning lights should start flashing when you see the names Jason Friedberg and Aaron Seltzer. Never mind the numerous comments about Michael Bay being the so-called antichrist or The Asylum being responsible for the very worst in movie entertainment, Friedberg and Seltzer between them tried to kill off comedy movies with their lame attempts at humour and this is where it all started. Well, the two first worked together on Spy Hard, but that had a title song by Weird Al Yankovic and was actually decent in places so let’s give that one a pass.

Despite the many things going against it (the irritating characters, the unfunny cast members, Friedberg and Seltzer), Scary Movie has just enough going FOR it to still make it a mildly amusing spoof. Faris is the biggest bonus but there’s also the simple fact that the riff on the most famous Scream sequences ARE pretty funny. So it gets by. Just. 

 

6/10.

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