True greatness often comes about after things skate perilously close to absolute disaster, and that certainly seems to have been the case for the launch of Saturday Night Live. While it may not be what it once was, and while some may argue that it was never actually the giant cultural totem that others view it as, Saturday Night Live is a hell of a thing to be proud of. It's now been going for 50 years, it has given us a great wealth of comedic talent, on both sides of the camera, and it's undeniably part of any conversation about American TV.
What you get here is a look at the frantic and tense 90 minutes leading up to the very first episode of Saturday Night Live. The man trying to herd a lot of cats is Lorne Michaels (Gabriel LaBelle). The stars include Chevy Chase (Cory Michael Smith), Dan Aykroyd (Dylan O'Brien), and John Belushi (Matt Wood). And those thinking it could succeed are largely outnumbered by those thinking it will fail. Spectacularly.
Co-written by Gil Kenan and director Jason Reitman, Saturday Night is an enjoyable bit of sustained tension, especially impressive considering that we all know how things turned out in the end. There are a couple of main touchstones that keep being used as people rush around, ensuring they are ready for a show that is being rehearsed and timed right up until the last possible moment, and certain characters are introduced at key points to really crystallise the friction between the old guard and the new.
It's no easy task for actors to emulate some comedy icons, but I was pleased to see that the performances here seem to focus on the essence and nature of each main character, as opposed to everyone trying to do a perfect impression of who they're meant to be. The only real exception to this is Nicholas Braun, who excels in two roles, playing both Andy Kaufman and Jim Henson. Smith is all of the ego and self-doubt that you'd expect from Chase, O'Brien is a jovial Aykroyd, and Wood exudes the kid of erratic energy that always seemed to be part of Belushi. LaBelle is excellent as Michaels, a graceful swan who sometimes goes through water so clear that we can see the feet speedily paddling away beneath. Rachel Sennott, Ella Hunt, Emily Fairn, and Kim Matula are rather sorely sidelined as, respectively, Rosie Shuster, Gilda Radner, Laraine Newman, and Jane Curtin, but that is sadly in line with a lot of the women who have been part and parcel of SNL over the years. Nicholas Podany is a decent young Billy Crystal, and the only one to disappoint me was Matthew Rhys in the role of George Carlin. Willem Dafoe has a couple of good moments as Dave Tebet (aka one of "the suits"), and J. K. Simmons almost steals the entire movie as the legendarily-endowed Milton Berle.
I was hoping to enjoy this, despite what I saw as my perceived distance from the cultural impact of the show, and I did. It hints at just some of the troubles that would come along in the few years afterward, but it's largely focused on celebrating the fact that everyone somehow managed to get the bloody thing done, and done in a way, albeit a tweaked and streamlined way, that would then be repeated week in and week out for decades. Do people still watch the full show, or do they simply check out the highlights shared to YouTube and other social media sites? I don't know, but I suspect the latter. I'm not sure it matters though. The fact remains that almost every American is aware of SNL, almost every American has their favourite seasons, or favourite skits, and anyone with an interest in comedy and/or films should be happy that a lot of talent became famous worldwide after surviving their time working for Michaels. We also got Rob Schneider, but you can't make an omelette without breaking some eggs.*
*said while having to pretend that I did not at one point own both The Animal and The Hot Chick on VHS.
7/10
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