Showing posts with label jessica biel. Show all posts
Showing posts with label jessica biel. Show all posts

Tuesday, 2 September 2014

Sci-Fi September: Total Recall (2012)

A lot of people love Total Recall, the 1990 movie directed by Paul Verhoeven that provided Arnold Schwarzenegger with another hit at the box office. I am one of those people. Which makes me one of the many people who groaned when they heard news of a remake. To be directed by Len Wiseman. Now, I actually quite like Wiseman's work. He makes glossy entertainment, and I think now that people have seen the godawful A Good Day To Die Hard we can all agree that the fourth movie doesn't actually seem THAT bad. Okay, I might still be on my own there, but the point I am making is that I was willing to give this one a go.

Colin Farrell stars as Douglas Quaid, a factory worker who starts to have strange dreams involving fighting, escape attempts, and a beautiful woman (Jessica Biel). He doesn't seem satisfied with his life, which is a bit strange considering that he's married to Kate bloody Beckinsale. It must be to do with the fact that he lives in The Colony, while all of the better opportunities go to the people from the United Federation of Britain. These are the only two living spaces left on Earth, after a period of chemical warfare, and The Colony is packed with citizens viewed as the lower/working class. Quaid decides to visit Rekall, a company that can insert memories into your brain, and opts for a memory that will give him an exciting adventure as a secret agent. Unfortunately, things don't go according to plan. It turns out that Quaid may already have some false memories creating a conflict within him.

Total Recall starts off quite well. The world displayed onscreen is nicely realised and textured, Farrell, Beckinsale and Biel are all good enough for their main roles, and there are fleeting glimpses of some great actors who you just know will appear later on in the film (Bryan Cranston, and Bill Nighy). The action is solid, there's an interesting layer to the movie that focuses on class and societal manipulation, and I started to consider that this was starting to prove itself as a decent remake. A retread of material - both movies are based on "We Can Remember It For You Wholesale" by Philip K. Dick - that was able to offer up more than just a reprise of what we already enjoyed years ago.

But then it starts to lose steam. Not a major problem, at first, but after the first hour has gone by and the movie settles into a dull cycle of action-chase-paranoia-repeat then it becomes tiresome. In fact, by the time both Nighy and Cranston eventually appear it's too late. Neither man gets to make a decent impression because viewers are too busy concentrating on trying to stay awake. This kind of material shouldn't be so unexciting.

A lot of people had a hand in the writing of the movie, with Kurt Wimmer and Mark Bomback credited as the main writers, but that's not reflected in the final product. The exposition is fine, and needs to be with such ideas about identity and paranoia, but everything else is found lacking, from the lines uttered in the thick of any action to the ineffective characterisations. This is a film populated by decent actors as opposed to any good characters.

Wiseman does his usual solid job in the director's chair, revelling in the effects and showing off when he gets the chance. There's a one-shot fight sequence that manages to impress, although it doesn't make up for the lack of energy elsewhere. If only he could have maintained the quality of that first 40 minutes, this could have been a very pleasant surprise. Alas, it wasn't to be.

Beckinsale steals the show, her husband (Wiseman) knows how to utilise her well in movies, and the movie moves up a notch whenever she's onscreen. Farrell is solid in his role, putting himself across as a capable everyman with an undercurrent of Jason Bourne. Jessica Biel is, unfortunately, the worst person in the movie. It's not her fault, and I love seeing Biel in anything, but her character is horribly underdeveloped and neglected. It's almost as if she was added as an afterthought. She may be a worthy companion during the fights, but any other interactions she has with Farrell could be consigned to the rubbish bin with very little impact on the movie. Bokeem Woodbine does alright with his small role, John Cho sports a fun, blonde hairdo, and I've already mentioned the main problems for Nighy and Cranston, although the former also struggles with an American accent.

There are worse movies you could pick when you fancy a bit of sci-fi action. There are also many better ones, including the original film that this is based on.

4/10

http://www.amazon.com/Total-Recall-Blu-ray-Colin-Farrell/dp/B0092QITO2/ref=sr_1_3?s=movies-tv&ie=UTF8&qid=1409479079&sr=1-3&keywords=total+recall



Sunday, 27 January 2013

The Tall Man (2012)

The Tall Man is almost the very definition of a wasted opportunity, but it's also a selection of decent scenes wrapped up in some downright unpleasant ideas that frame everything. Infuriating as it is, I probably won't be able to go on about the worst aspects of The Tall Man because they're tied in with one or two twists that I won't spoil for anyone who has yet to see the film. You'll just have to trust me when I say that the film is fatally flawed by the ideas it uses to take it from being a drama to, apparently, being a twisty, thrilling drama.

Writer-director Pascal Laugier pleased a lot of horror fans when he gave them Martyrs. I thought it was quite good, let down by a third act that lost all momentum and put too much faith in some ideas it was bringing to the surface. Strangely enough, while The Tall Man is a very different film it suffers from the same problem, though this time it's even more damaging.

A word of warning needs to go here. Despite what SOME people may have told you, The Tall Man is NOT a horror movie. It has one or two horror elements in the first half but as everything unfolds you will start to realise just how removed from the genre it is. This is a standard thriller with surprisingly few thrills. In fact, it's maybe better described as a dark drama.

Jessica Biel plays Julia Denning, a woman who lives in a small town that seems to be held in the clutches of fear by the titular tall man. Who is this figure? Is he even real? Well, the reality is that a large number of local children have gone missing over the years and the residents at least need someone or something to put the blame on. That would be the tall man. Stephen McHattie plays a Lieutenant who is after the kidnapper, William B. Davis is a Sheriff who also wants to bring him to justice and young Jodelle Ferland wants to meet him, but for her own reasons that are more to do with getting away from her home.

I can't knock the acting here. Stephen McHattie and William B. Davis may be underused, but they're both great when on the screen. Jodelle Ferland is proving to be a consistently good young actress and does very well while Jessica Biel makes the most of a rare role that she actually gets to dig her teeth into. Actors such as Samantha Ferris and Colleen Wheeler also do a great job.

No, the acting is all fine. The major flaw that the movie can't cover up is, I guess, Laugier. Well, as he wrote the horrible script full of such a troubling and blinkered attitude to the issues of poverty and parenting he's the first person to get the blame. The fact that he didn't even dress it up well enough to make it mildly diverting and entertaining, to put his strange message across without it being so jarring and front and centre, means that he gets doubly blamed. As it should be.

The Tall Man could have been an interesting film. It becomes an interesting film about a third of the way in and then maintains that potential for about twenty to thirty minutes. Sadly, it then goes from good to bad to worse so quickly and sharply that by the time the end credits roll you will be struggling to remember anything that you liked about it.

4/10

http://www.amazon.co.uk/The-Tall-Blu-ray-Jessica-Biel/dp/B009YTGLD8/ref=sr_1_3?ie=UTF8&qid=1358826500&sr=8-3


Monday, 31 December 2012

New Year's Eve (2011)

New Year's Eve is a big, bloated, all-star romance that shows how different people reach big moments in their life on . . . . . . . . New Year's Eve. Written by Katherine Fugate and directed by Garry Marshall, it's happy sappy fluff of the highest order. Originally planned as some kind of continuation from Valentine's Day (which I have yet to see), things eventually changed enough to make this a standalone film although I'm sure that the two easily make up an acceptable double-bill for those who can handle the excess sweetness.

It is, of course, New Year's Eve. One man needs to get to a certain place by midnight to reunite with a woman he has fallen in love with, one woman ends up catering for a gig and party that features her ex-boyfriend as the main entertainment, one mother is determined to keep her daughter from making any big mistakes, a pair of strangers are stranded in a broken elevator, a young man sets out to help an older woman complete a fairly expansive "to do" list, two pregnant women end up with a chance to win a cash prize depending on who has their baby first, a man lies dying in his hospital bed and one woman feels the eyes of the world watching as she tries to ensure that the Times Square ball drops at midnight.

Imagine if Love Actually had been made in America. Then imagine that it was only half as good. You then have New Year's Eve. The writing is just weak and predictable, the direction is just dull and predictable and the only good points about the film come from the few cast members who do well. Zac Efron and Michelle Pfeiffer are fun to tag along with as the former tries to help the latter get through her checklist of special experiences. And then Josh Duhamel is at least likeable in his tale, he's the one trying to reunite with the woman he loves. And . . . . . . . . . . oh no, that's all. Aside from a few cameos from the likes of Hector Elizondo, Larry Miller, Matthew Broderick, Carla Gugino and Yeardley Smith, there is nobody else to praise.

Jessica Biel and Sarah Paulson may not be terrible but they're stuck in a terrible story (they're the two pregnant women). Robert De Niro, Cary Elwes and Halle Berry go through the motions in there tale, which is ultimately pretty dull. Sarah Jessica Parker often annoys me so while she wasn't the worst offender here I still can't say that I enjoyed her performance. Hilary Swank was dull but okay, Ashton Kutcher was okay but dull, Lea Michele was dull and dull and then we get a double whammy in the storyline featuring Jon Bon Jovi and Katherine Heigl. Thankfully, Sofia Vergara is also involved in their pathetic and uninteresting part of the proceedings so she at least brings a bit of energy to the screen.

Overall, this is something that most people will be able to sit through without smashing up their TV but few will end up revisiting. Unless they start feeling particularly masochistic every New Year's Eve.

5/10

http://www.amazon.co.uk/Years-Blu-ray-Copy-Region-Free/dp/B0058N2SIG/ref=sr_1_2?s=dvd&ie=UTF8&qid=1355677261&sr=1-2



Sunday, 2 December 2012

I'll Be Home For Christmas (1998)

Getting home for the holidays, it's been a plot device for many, many years and can prove very successful with the right script, cast and director. Planes, Trains & Automobiles remains one of my favourite movies and is, arguably, one of the best of this particular type of movie. I'll Be Home For Christmas is one of the worst. Well, one of the worst that I've seen.

Jonathan Taylor Thomas plays a fast-talking college student named Jake who plans to spend Christmas with his girlfriend, Allie (Jessica Biel), somewhere nice and warm and away from family. Allie has other plans, however, and wants to go home for Christmas. When Jake is given an incentive by his dad (Gary Cole) - get home by the time the family sit down to dinner and he can have the Porsche - he decides that spending time with his family might not be so bad after all. Unfortunately, his journey gets off to a bad start when a few disgruntled fellow students throw a Santa suit on him, complete with glued-on hat and beard, and leave him stranded in the middle of nowhere. Jake wants to catch up with Allie, who accepts a ride from the irritating Eddie (Adam LaVorgna) after thinking that Jake has just let her down, and wants to get home in time to accept that fine car and he's prepared to do whatever it takes.

Director Arlene Sanford hits every expected beat in this "by-the-numbers" Disney movie. The script by Tom Nursall and Harris Goldberg is so bland that I imagine it being printed on beige paper. Of course, I wasn't expecting anything stellar but there are many live action Disney movies better than this one, especially when it comes to holidays (go for the wonderful The Santa Clause at Christmas and keep a copy of Hocus Pocus on standy for Halloween).

The soundtrack features a number of the usual seasonal hits and is one of the few plus points. The rest of the movie is just far too predictable and bland, from the way that Jake tries to get himself out of trouble with a police officer to the life lesson being learned en route from A to B.

This would all be more bearable, enjoyable even, if there was a decent star in the lead role but, good grief, Jonathan Taylor Thomas is just annoying for every moment that he's onscreen. I mean proper "just punch him in the face to make him go away" annoying. He's supposed to be charming and cool but that just never comes across, in my opinion. The character is just a douche, plain and simple. Adam LaVorgna's character is also a douche but he's SUPPOSED to be a douche so that's okay. Jessica Biel is as appealing as ever though it's hard to understand why she's attracted to the main character. Gary Cole isn't onscreen for long but I always like to see him in any movie so that was another bonus. The other person worth mentioning is Andrew Lauer, who provides a lot of fun with his small role as an easily distracted driver who helps Jake out and then pretends to be a helper elf in order to avoid the long arm of the law.

So the movie gets a point each for Biel, Cole, Lauer and the Christmas songs. A total of four. Yeah, that sounds about right to me.

4/10

http://www.amazon.co.uk/Ill-Home-For-Christmas-DVD/dp/B0001KZNNI/ref=sr_1_1?ie=UTF8&qid=1354262847&sr=8-1