Netflix And Chill: Kindred Spirits (2019)

There are a number of elements within Kindred Spirits that seem a bit strange, but not really in a bad way. First, Thora Birch is now cast as a mother character. Second, director Lucky McKee and writer Chris Sivertson have fully committed to something that feels like it could have easily been released in the late '80s to mid-'90s amongst the likes of Poison Ivy, Single White Female, and numerous other movies focusing on someone who is an entertainingly demented psychopath.

Birch plays Chloe, mother to Nichole (Sasha Frolova). Their relationship isn't exactly all sunshine and roses, but that may improve when Chloe's sister, Sadie (Caitlin Stasey), appears on the scene. Sadie wants a chance to regroup and maybe restart her life. And she ends up being more like a sister to Nichole than an aunt. Meanwhile, Chloe is also trying to keep her relationship with Alex (Macon Blair) a secret. And not just because Alex is the father of Nichole's best friend, Shay (Shonagh Smith). Tension is simmering away, and it eventually rises right up to the surface again, leading to some startling revelations and a number of deaths.

As long as you know the type of film you're getting then there's very little chance that Kindred Spirits should disappoint you. And if you don't know what you're getting into before the movie starts, fear not, McKee and Sivertson do a great job of setting everything up to ease viewers along a path that soon becomes a slippery slope towards unbridled insanity.

All of the cast play it straight, and fill their roles well. Birch may still look too young to be a mother, even if she is the right age nowadays, but her attempts to deal with her daughter will ring true with any parent who has gone through some difficult times. Frolova, for her part, manages to be an unhappy teen without ever becoming too annoying. Stasey is a lot of fun in her role, even when the plot starts to twist and change, and Blair is a very nice everyman, a sweet potential partner for Birch, despite her trying to keep some distance between them. Smith and Isai Torres also do good work, with the latter playing Nichole's boyfriend, Derek, and having to take part in what I would happily call the silliest scenes in the movie.

Although I am not going to rate this as anything unmissable, I'm taking pains to emphasise just how good it is for what it is aiming to do. More than that, it does everything in a way that is admirably free of the need to be coy, or wink at viewers in a self-aware display of "yes, this is trashy nonsense, everyone can roll their eyes and smile while they enjoy it ironically" deflection. Sivertson and McKee know what they're doing, no doubt about that, and they also know that this material wouldn't work as well if it was given the kind of meta layering that so many horror movies now think they have to contain.

If you want some self-aware horror then pick from the hundreds around. If you want an entertaining thriller played completely straight, and with a real crescendo in the third act, then this is for you. 

7/10

https://ko-fi.com/kevinmatthews

Hocus Pocus (1993)

It’s certainly worth remembering how much nostalgia can colour your view of things when you revisit a film like Hocus Pocus, a film that I was probably a bit too old to enjoy when it was initially released and most certainly too old to enjoy it nowadays, at the ripe old age of “I spent a lot of my teenage years wondering which of my mates could help me win a quest on Knightmare” years old.

This is a tale of three witches, the Sanderson sisters (played by Bette Midler, Kathy Najimy, and Sarah Jessica Parker). They are your standard, evil witches. In an attempt to stay young forever, they need to drain life force from children. And that gets them in trouble. It gets them a death by hanging. Except death isn’t always the full stop for witches that it is for us mere mortals. Many years later, a young lad who is new in town (Max, played by Omri Katz) decides that it would be good to see what happens when a virgin lights the black flame candle. And what happens is exactly what is said to happen – the witches come back. And they have one night to gain immortality or be turned to dust by sunrise. It’s up to Max and Allison (played by Vinessa Shaw) to stop them, helped along the way by Dani (Thora Birch, playing the little sister to Max) and a talking cat (voiced by Jason Marsden).

There's fun to be had here, especially in any scene that has Midler front and centre, relishing every line that she delivers in her amusingly over the top portrayal, and Hocus Pocus is still one of those movies that I believe serves as a nice introductory "horror" for kids who like some spookiness in their viewing selections. If you can overlook the dated CGI, there's the talking cat to enjoy, an inept zombie, a lively spellbook, lots of fun confusion as the witches encounter the modern world, and a fun rendition of "I Put A Spell On You".

As well as all that, however, you also get the levels of annoying overacting that serve to remind you that this is a typical Disney movie. Not all live action Disney movies suffer from this, but most do. Katz, Shaw, and Birch are all okay in their roles, with Birch easier to excuse as the youngest of the three, but all have their moments. Midler and co. are easier to tolerate because of the characters they're playing. The worst of the offenders are Sean Murray, who plays a young man named Thackery, and Marsden as the voice to the cat (Thackery was transformed as part of a curse, both actors portray the same character), but Tobias Jelinek and Larry Bagby give pretty poor performances as a pair of local bullies, and Doug Jones is stuck with having to overplay things as he pursues the kids in zombie form.

The direction by Kenny Ortega is acceptable, I guess, but there are one or two great moments that show how much better this could have been, with just a little more thought and care for the style of the whole thing, and the script, by Mick Garris and Neil Cuthbert, ranks about the same. There are some very good lines, but also so many scenes that you know could have been filled with a lot more of them. This was a premise full of potential, and only some of it is realised.

There will be people who read this review and hate me, despite the fact that I don't hate the film. A lot of people still absolutely love it. I cannot bring myself to dislike it, despite it not holding up for me so much nowadays, but it's one I would only recommend to anyone wanting to introduce younger viewers to it. You'll still be able to enjoy it for yourself, but watching them enjoy it is an added bonus.

6/10

You can buy the movie on this shiny disc here.
Americans can buy it here.

All I Want For Christmas (1991)

While it's obviously intended to be a fun, diverting bit of family entertainment with a sprinkling of magic that helps everyone keep a smile on their face while the end credits roll, All I Want For Christmas instead ends up being one of the more annoying movies to hang such a slight premise on the sagging branches of a small, tired, skinny Christmas tree.

The plot concerns two annoying children (played by Ethan Randall, better known nowadays by the name Ethan Embry, and Thora Birch) who just want their parents to get back together. The girl played by Birch, the younger of the two children, decides to ask Santa (Leslie Nielsen), but her brother knows that it's up to them to make their Christmas wish come true. And so they set a plan in motion, a plan that they hope will reunite their parents and allow them all to live happily ever after. It involves rodents, deceit and ditching their mother's new boyfriend (played by Kevin Nealon).

This is a tough one to watch, mainly because Randall and Birch are two of the most horribly smug children to appear onscreen. Birch has the excuse of being young and precocious, when this was made, but Randall just seems to go out of his way to be irritating while not doing very much at all. The fact that the movie also features the most horrendous, and slightly disturbing, rendition of "Baby, It's Cold Outside" is the icing on the cake.

Director Robert Lieberman makes no attempt to cover up the flaws in the script, by Robert Lieberman and Thom Eberhardt, and subsequently leaves everyone out to dry as the movie slogs towards a predictable, flat finale (that COULD have been enjoyable and/or moving if the leads had been slightly likable).

Leslie Nielsen has fun with his small amount of screentime, Nealon is amusingly easy to want out of the picture, and Harley Jane Kozak and Jamey Sheridan are okay as the separated parents that the kids want back together, but it's poor Lauren Bacall who suffers the greatest indignity, taking part in that aforementioned musical moment alongside Birch while being sorely underused throughout the rest of the movie. Andrea Martin doesn't do too badly, as a potential love interest named Olivia, but it's far too difficult to see why she would be attracted to Randall's smug demeanour.

Not one that I'd recommend, unless you enjoy being annoyed to the point of distraction by lead characters.

3/10

http://www.amazon.co.uk/All-Want-For-Christmas-DVD/dp/B0002W10RS/ref=sr_1_1?ie=UTF8&qid=1386012124&sr=8-1&keywords=all+i+want+for+christmas