High School Musical (2006)

As I'm often after ways to give my movie watching a sense of purpose, eagle-eyed blog readers may notice certain patterns. For example, I try to include a Hammer movie every week (until I have made my way through most of the ones available to me). There was the Steven Seagal quest that almost broke me. I keep trying to get back to that 1001 Movies To See Before You Die list. And I am currently wrapping up my cinematic journey alongside the great Mr. Kurt Russell. So I asked some Facebook friends what I should line up next. "Get your wife to pick your viewings," someone piped up. Others agreed that this was a GREAT idea. The one person who didn't really like the idea was, funnily enough, my wife. She just couldn't recall what I had and hadn't seen already and had no inclination to pick twenty films, the number I decided to go with. But I kept on and on at her so I guess this is my fault. Yes, I now have to watch all THREE High School Musical movies, but at least have The Mighty Ducks trilogy to look forward to after those.

The film opens during school holidays. A young man named Troy (Zac Efron) and a young girl named Gabriella (Vanessa Hudgens) end up on stage together, made to sing thanks to the supportive influence of peer pressure. The two work well together in their duet, they chat afterwards and exchange numbers and then go their separate ways, unlikely to see each other again. When school starts back up, Troy is amazed to see that Gabriella is now enrolled in his high school. This is both good and bad news. He likes Gabriella a lot, but none of his high school friends know about his singing ability. In fact, his basketball team-mates would probably frown upon anything that didn't help him to keep his head in the game. The whole situation could get slightly awkward, even more so when auditions begin for the new high school musical and Troy finds himself tempted to go along. If cast in the musical, Troy and Gabriella risk incurring the wrath of Ryan (Lucas Grabeel) Sharpay Evans (Ashley Tisdale), a brother and sister act who always go all out for these things, as well as upsetting all of their friends and classmates. And Troy's father, the basketball team coach, probably won't look too favourably upon it either.

Viewing High School Musical and then writing up a review for it required me to seriously recalibrate my mindset for a while. It's obvious that this isn't aimed at an adult horror movie fan like myself. It's a Disney movie full of teens with perfect smiles and musical numbers with choreography that mixes skill with some attempts to be cool (such as the basketball number, "Getcha Head In The Game"). Recalibrating my mindset is nothing new. Most of us do it all the time. You go into a horror expecting something different from when you go into a sci-fi comedy, for example. It's just that some recalibration requires more effort. I can never seem to recalibrate enough to make watching recent Katherine Heigl movies any less painful to watch.

The biggest surprise for me while watching High School Musical was that I ended up enjoying it. I'm not going to say that I tried to sing along to one or two of the songs or that I tapped my feet along to the rhythms. But I did. My wife pointed out when I was smiling and tried to mock me until I just shrugged and admitted that I was quite enjoying the movie.

It's sugary sweet in places, it's completely predictable and it's full of people that you'd never want to spend time with in real life, but it all works as it's supposed to. The script by Peter Barsocchini does what is required to move the characters between musical numbers, and the direction by Kenny Ortega keeps the energy levels up throughout. Basically, it's aimed at about 8-12 year olds and it delivers for 8-12 year olds (just a guesstimate, apologies to any 7-year-olds who love the movie).

The cast all do a decent job, despite all looking as if they have been taken directly from some Good Guy assembly line in an alternate universe. Zac Efron is sickeningly talented and when I can see past the mist of jealousy that descends before my eyes I end up really enjoying his work onscreen (having already seen him in 17 Again and Me & Orson Welles). This was the big break for him and Vanessa Hudgens, and both show why they managed to build up such a big fanbase and move on to other work. Ashley Tisdale and Lucas Grabeel have a lot of fun as the privileged Evans siblings, and Corbin Bleu and Monique Coleman are both fine as friends of the two leads. The adults are sidelined, for the most part, but Bart Johnson is okay as coach/Troy's father while Alyson Reed is fairly amusing as the teacher in charge of the music-al.

You will already know if you're unable to stand this movie at all. If you think that you'll hate it then you'll probably hate it. But if you're looking after kids on a rainy afternoon and one of them wants to stick on the DVD . . . . . . . . . . . you could do a lot worse.

6/10

http://www.amazon.co.uk/High-School-Musical-1-3-DVD/dp/B002IAIBY2/ref=sr_1_1?ie=UTF8&qid=1368042376&sr=8-1&keywords=high+school+musical

Sky High (2005)

I really like Sky High. It's a Disney movie aimed at teens. Part of me suspects that I shouldn't like it as much as I do, but I do. It's fun, it's funny, it has a great cast and it features an eclectic selection of superheroes. What's not to like?

The plot revolves around young Will Stronghold (Michael Angarano). Will is about to start his superhero education at the titular Sky High, but his powers haven't shown themselves yet. That would be bad enough with one superhero for a parent, but Will has two - The Commander (Kurt Russell) and Jetstream (Kelly Preston) AKA Mr. & Mrs. Stronghold. All that pressure doesn't make life any easier for a boy who is expected to do great things. Thankfully, he has some great friends, even if it looks like they may all end up being sidekicks as opposed to actual heroes. The kids may all have different powers and plans to wear some snazzy costumes, but high school is the same mix of cliques, bullies and teenage awkwardness.

Written by Paul Hernandez, Robert Schooley and Mark McCorkle, and directed by Mike Mitchell, Sky High is lively and amusing. Oh, it could certainly be sharper, and there's nothing here too complicated or subtle, but this isn't trying to be The Dark Knight (it was released 3 years beforehand anyway, in the same year as Batman Begins) and that suits me just fine. Not that I dislike The Dark Knight, it's just that not every superhero movie needs to be dark and thought-provoking. Especially superhero movies for the entire family.

The cast is the biggest asset that the movie has, with everyone doing their bit to add to the fun with their performance. Angarano is fine in the main role, Danielle Panabaker is also fine as his close friend who may or may not want something more to develop and Mary Elizabeth Winstead is the cute girl at the high school about to complicate the whole situation. Steven Strait scowls and throws fireballs competently, in a role that feels almost like a warm up for his role in The Covenant, while Nicholas Braun, Kelly Vitz, Dee Jay Daniels, Jake Sandvig, Will Harris, Malika and Khadijah all provide decent support as the ragtag group of students training to be heroes or sidekicks. But it's the adult stars who get a lot of the best moments, in my opinion. Russell and Preston are both very good as the parents who are also superheroes, with the former particularly enjoyable every time that he's onscreen as The Commander. Kevin Heffernan is very enjoyable as Ron Wilson, bus driver, and Dave Foley and Kevin McDonald (two former members of The Kids In The Hall) are both very funny in their respective roles. Bruce Campbell is great as a coach who takes no nonsense, Cloris Leachman pops up for one scene as the school nurse and Lynda Carter has an extended cameo as Principal Powers.

Sky High doesn't pretend to be anything other than it is. It's an enjoyable superhero movie that takes the genre trappings and weaves them through a standard Disney high school movie. When the end result is this much fun, I can't say that I mind. No, I don't mind at all.

7/10

http://www.amazon.co.uk/Sky-High-DVD-Kurt-Russell/dp/B000BY99YS/ref=sr_1_1?ie=UTF8&qid=1367953641&sr=8-1&keywords=sky+high

Dead By Dawn 2013.

I finally finished all of my coverage over at Flickfeast so feel free to check it out here.

It includes reviews of Hellraiser, Mon Ami, The Battery, Jug Face, and many more titles deserving of a few minutes of your time.

Enjoy.

Alligator (1980)

John Sayles has a lot of great movies in his filmography, both as a writer and as a director, but I still seem to have the most affection for his creature features. Back in the '70s and '80s he was the man responsible for giving us The Howling, Piranha and this film. This may be the weakest of those three, but it's still a fantastically entertaining movie.

An alligator living in the sewers of Chicago has grown to an enormous size after feasting on numerous lab specimens. It's up to a cop (David, played by Robert Forster) and a herpotologist (Marisa, played by Robin Riker) to come up with a plan that will stop the big beast from eating any more citizens. Ironically, the alligator once belonged to Marisa when she was a small girl, but it was her father who flushed it down the toilet one day while she was out of the house.

Directed by Lewis Teague, Alligator shouldn't really be as much fun as it is, but it is. That's down to the sharp script by Sayles, the great leads in the form of Forster and Riker and the creative thinking required to make a legitimate threat from a mechanical, giant alligator that was often malfunctioning (a la Jaws). It may not be tension-filled from start to finish, but there are plenty of great scenes throughout and the whole thing has a layer of quirkiness to it that adds to its charm.

Forster, in particular, makes for a charming yet atypical "hero". When he's not busy being brave enough to do what needs done (without being in any hurry to throw himself on any swords) he is worrying about his hair loss and/or making a bit of a hash of things while trying to charm the leading lady. Speaking of the leading lady, Riker is a nice mix of beauty and attitude and her work with Forster produces a nice, sparky dynamic that lifts the entire second half of the film.

There are also a lot of familiar and vaguely familiar faces making the supporting cast a bit of a pleasure. Sydney Lassick plays an unscrupulous pet shop owner, Michael V. Gazzo is a police chief, Dean Jagger, Jack Carter and Perry Lang (you'll probably know their faces if you've watched enough movies and TV from the '70s and '80s) all have a role to play and even the mighty Henry Silva gets in on the action, stealing a couple of scenes as a confident big game hunter named Brock.

I used to absolutely love Alligator, thinking of it as an endearing creature feature on a par with Piranha. While I may not still think of it as being quite THAT good I still highly recommend it to b-movie and creature feature fans and I still think of it as a great slice of entertainment.

9/10

http://www.amazon.co.uk/Alligator-2-Mutation-DVD/dp/B000089AT6/ref=sr_1_1?s=dvd&ie=UTF8&qid=1361704052&sr=1-1

Last Action Hero (1993)

Not really a big success on initial release, Last Action Hero is one of those movies that I am glad to see get a bit of a second wind on shiny disc form. It always had fans, but I think that fanbase has grown steadily over the last decade and the film deserves it.

The film is, essentially, a cross between The Purple Rose Of Cairo and, well, any blockbuster action movie of the '80s and '90s. A young boy named Danny (Austin O'Brien) is given a magic ticket by his projectionist pal (Robert Prosky) that was apparently passed down years ago by one Harry Houdini. Danny spends as much time as possible in the cinema watching his movie idol, Jack Slater (Arnold Schwarzenegger), and this night is very special because his projectionist pal is allowing him to see a sneak preview screening of Jack Slater IV, hence the passing on of the magic ticket. Although not expecting the cinema ticket to do anything that's REALLY magical, Danny finds that he should never rule out the impossible when he finds himself transported to the world inside the movie. He has a lot of fun trying to explain to Jack Slater what is really going on (and Slater doesn't appreciate being told that he's a fictional character being played by a man with a name that he can't pronounce) while checking off all of the action genre cliches and also providing the police with some vital information thanks to the scenes he saw at the beginning of the movie. This annoys Benedict, a dangerous hitman played by Charles Dance, no end . . . . . . . . . . until Benedict starts to piece together the implausible scenario, and then gets the ticket for himself. The real world isn't ready for a collection of cinematic villains, but Benedict doesn't care. He plans to use the ticket to free the likes of Dracula, some zombies and even King Kong. First of all, however, he helps Ripper (Tom Noonan) escape. Ripper was the villain who caused the most pain for Jack Slater, and now he's encouraged to get his revenge by killing Arnold Schwarzenegger. Is this making sense?

Superb entertainment from start to finish, Last Action Hero is also consistently clever and so meta that it often looks like a serpentine creation in danger of eating its own tail. It was deemed by many back in 1993 as a smug, overblown action comedy that was trying to have its cake and eat it while those involved shouldn't have dared to bite the hand that had fed them over the years. Admittedly, it is a bit overblown in places, and overlong at just over two hours, but I can't think of a better time for this movie to have been made than when Arnie was at the height of his A-list action star status and director John McTiernan was known best as the man behind Die Hard and Predator (as opposed to the man who also gave us the Rollerball remake). Shane Black, who co-wrote the screenplay with David Arnott, would actually refine things slightly with his directorial debut, the superior Kiss Kiss Bang Bang, but this particular movie is a mix of big names, studio excess, a multitude of pop culture references and a foundation of real intelligence.

After a standard action movie opener, with tongue firmly in cheek, the film is one of two halves. In the first half, Danny enters the movie world and can spot the genre conventions, stereotypes and general Hollywood illusions, using it all to his advantage and not ever feeling TOO worried as he helps out Jack. In the second half, the movie characters enter the real world, OUR world, and this provides a bit more danger while also keeping the comedy running strong as unwitting characters take their time to find out that the movie rules no longer apply.

The main cast members all have a great time. Austin O'Brien is stuck playing a character who is a bit too cocky at times, but Arnie is getting to do what Arnie does best (on top of that, he also plays himself in a few scenes alongside his real wife of the time, Maria Shriver) while Charles Dance and Tom Noonan bring their effortless brilliance along to portray two very different types of villains. Robert Prosky is as wonderful as always in the role of the kindly projectionist, Mercedes Ruehl is good as Danny's worried mother and Bridgette Wilson shines in the relatively small role of Jack Slater's daughter. Elsewhere, Frank McRae is very funny as the constantly shouting Lieutenant Dekker, Anthony Quinn is a mobster, F. Murray Abraham is a policeman and Ian McKellen is Death. Yes, Death . . . . . . . from The Seventh Seal. Throw in cameos, however brief, from the likes of Sharon Stone, Robert Patrick, Chevy Chase, Jean Claude Van Damme, Joan Plowright, Tina Turner, Bobbie Brown, Angie Everhart, James Belushi and many more and you have the action genre movie equivalent of The Player. Which is no bad thing.

Working on two levels, because let us not forget that McTiernan IS a master action movie director and Schwarzenegger IS an action movie STAR, Last Action Hero does get to have its cake and eat it. Fans of standard action movies will find enough here to keep them amused, if they somehow don't get or appreciate the humour, while fans of the satirical premise will have a field day keeping up with the cliches and references. You can find subtlety and grace elsewhere, this is the only place to see Arnie giving a unique interpretation of Hamlet. Need I say more?

8/10

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American Pie: The Wedding (2003)

The gang (almost) all return for more bawdy comedy in this third American Pie movie that starts off with a hilariously embarrassing marriage proposal and might end with Jim (Jason Biggs) and Michelle (Alyson Hannigan) walking up the aisle together. The focus here is very much on Stifler (Seann William Scott), a character who ends up invited along to the wedding, despite nobody actually wanting him there. He agrees to give Jim some dance lessons as long as he can attend the event, but quickly ends up causing trouble as he competes with Paul Finch (Eddie Kaye Thomas) for the affections of Cadence (Michelle's younger sister, played by January Jones). Stifler starts to act innocent, Finch tries to appeal to Cadence by starting to act like a bad boy, a bachelor party is upset by some major mistiming and there are, as ever, one or two pieces of sage advice from Jim's dad (Eugene Levy).

The law of diminishing returns. That's what the American Pie franchise illustrates best. I'm not sure if it's something that could be applied literally, but it's certainly something that applies to the goodwill and laughs generated from the first movie. Of course, at least these official entries remain more enjoyable and humorous than the many spin-off films that used the brand name and a tenuous link (and Eugene Levy). There will be more talk of those at another time. When I endure/review them here.

There are some big laughs here. The aforementioned bachelor party has a teen-pleasing mix of comedy and nudity while a dance off featuring the unlikeliest of competitors remains the absolute highlight of the whole film. There are also lots of little laughs, whether they come from Stifler and Finch fighting to get time with Cadence or Jim nervously grooming himself in preparation for his big day. The problem is that these laughs aren't as fresh or actually funny as they were when the characters were first introduced.

Director Jesse Dylan and writer Adam Herz made a smart decision in shedding some of the popular characters who had already outstayed their welcome by the end of the second movie, but there's nothing they can do to recapture that magic that was there in the first movie.

Jason Biggs, Alyson Hannigan, Eugene Levy, Eddie Kaye Thomas, January Jones, Fred Willard, Eric Allan Kramer and everyone else does a great job, but they also have to stand back on a number of occasions and leave space for Seann William Scott to go through his repertoire of curse-words and funny faces. It just manages to remain an ensemble piece, but there are many times throughout the movie when it becomes little more than The Stifler Show (a good or bad thing, depending on how you react to the character).

If you enjoyed the first two movies then you'll enjoy this one. You just might not enjoy it as much as the preceding instalments in the franchise.

6/10

http://www.amazon.co.uk/American-Pie-The-Wedding-DVD/dp/B00008KDHE/ref=sr_1_1?ie=UTF8&qid=1357209864&sr=8-1

Miracle (2004)

Unbeknownst to me, the world of international ice hockey was dominated throughout the 1970s by the Russians. In fact, by the time the 1980 Winter Olympics was looming, they looked unbeatable. That was the scenario facing head coach Herb Brooks (played by Kurt Russell), and it was a scenario that led to some major changes in the way that the team was picked and trained.

Based on a true story, this is typical live-action Disney fare. It starts off with Herb applying for, and getting, the head coach position before then showing him selecting his team of young players, working them harder than they've ever been worked before, trying out some unusual tactics and then seeing how things pan out as they play on the national stage.

Director Gavin O'Connor, working from the script by Eric Guggenheim, hits all of the right notes at all of the right moments (just as he would a few years later with Warrior). This is a tale of self-belief, of courage, of sportsmanship and of, well, ice hockey.

Russell is great in the lead role and he gets to work alongside some wonderful talent. Patricia Clarkson plays his supportive wife, Noah Emmerich is an assistant coach who initially doubts his methods and Kenneth Welsh is the team doctor. The young hockey players consist of men picked predominantly for their hockey skills - Eddie Cahill, Patrick O'Brien Demsey and Michael Mantenuto being the three team players who get the most screentime. Thankfully, you wouldn't know that because they do a fine job, although perhaps that IS because they spend a lot of time ice-skating.

This isn't a film for cynics, few Disney films are. There are no surprises here, what with it being based on a true story, but even if you're unfamiliar with what really happened, as I was, then . . . . . . there are no surprises here. It also lacks much humour. This isn't The Mighty Ducks and it seems as if O'Connor wanted to make sure that nobody watching the film would ever forget that. He succeeded. Whereas The Mighty Ducks was a family movie full of great characters and fun moments, this is an uplifting true story, full of good acting, suitable musical accompaniment and a big dollop of good ol' hey hey USA. I prefer the former type of movie myself, but this one is also a good watch.

7/10

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Quatermass 2 (1957)

It's the return of Professor Bernard Quatermass, in case you couldn't guess that from the title, in this Hammer movie that is again based on a TV series written by Nigel Kneale. Val Guest is back in the director's chair, after doing justice to the character and material in The Quatermass Xperiment, and everything is in place for another slice of low-key sci-fi drama.

This time around, Professor Quatermass (Brian Donlevy in the role once again) becomes involved in a mystery that involves meteorites causing a fair bit of trouble for those who get too close to them. The meteorites have all been landing at an area known as Winnerden Flats, but when Quatermass gets there (with his colleague, Marsh, played by Bryan Forbes) he finds more than he bargained for. As the plot thickens, Quatermass is told that what he saw at Winnerden Flats wasn't just a design very similiar to his own plans for  a moon colony but actually a plant where artificial food is being made. Quatermass finds this hard to believe, but finding out just what IS going on could prove very difficult. Time is against him, as are a number of people who no longer seem in control of their own minds.

Thanks to his character being slightly less arrogant in this outing, Brian Donlevy fares better in the main role than he did the first time. He is the pursued as opposed to the pursuer in this tale, seeking help from others as opposed to nominating himself as the one and only chance of fixing a situation. John Longden is very good as Lomax, someone who might just be the help that Quatermass needs, and it's great to see Sid James in a fairly straight role, playing a reporter named Jimmy Hall who likes to drink a bit too much, but works best when all sobered up. The rest of the cast includes William Franklyn, Vera Day, Charles Lloyd Pack and Hammer stalwart Michael Ripper. They may not all get to play particularly memorable characters, but the performances are just fine.

It may not feel quite as quintessentially British as the first movie, but this is a fine sci-fi drama with a fair share of thrills, one or two decent shocks (okay, nothing in the movie shocks nowadays, but back in 1957 this could have been gasp-inducing stuff) and a nice development of the plot that keeps it all entertaining enough to stop viewers from picking over the implausibility of it all. While it's not on a par with the first movie in terms of intelligence and tone it remains an equally enjoyable piece of entertainment.

7/10

http://www.amazon.co.uk/The-Quatermass-Collection-Experiment-Pit/dp/B000772838/ref=sr_1_4?ie=UTF8&qid=1366773093&sr=8-4&keywords=quatermass+2

American Pie 2 (2001)

The gang all return for another outing involving a quest for some sexual adventures and if you liked American Pie there's no reason for you not to enjoy this sequel. It doesn't veer too far from the template of the first movie - this time an epic party is the ultimate goal as opposed to virginity loss - and all of your favourite characters are back to do what they do best (which is, mainly, get into embarrassing situations).

Set out as "the same, but different," this movie also shows Jim (Jason Biggs), Finch (Eddie Kaye Thomas), Oz (Chris Klein), Kevin (Thomas Ian Nicholas), Vicky (Tara Reid) and Michelle (Alyson Hannigan) trying to draw a line in the sand between their youth and adulthood. Jim's dad (Eugene Levy) is once again on hand to help out and Stifler (Seann William Scott) is once again on hand to abuse and irritate everyone. Oh, and Nadia (Shannon Elizabeth) is also due to return to cause Jim some . . . . . . . . . anxiety.

Adam Herz is back as the main writer while J. B. Rogers takes over the directing duties for this particular slice of pie. Both men take the easy option of following the template of the first movie and the end result is very entertaining, if also completely unsurprising. The soundtrack cues are fashioned in exactly the same manner, the laughs are fairly steady in between the few fantastic set-pieces, there's some nudity here and there and Jim is always at the centre of the biggest disasters. Familiarity can indeed breed contempt, but here it makes for a shorthand that keeps viewers happy while the characters progress through the next stage of their lives.

Jason Biggs and Eugene Levy get the lion's share of the laughs and they make the most of every comedic moment. Levy may need to do little more than raise an eyebrow or two, but Biggs throws his whole body around for maximum effects. Sean William Scott spits out more and more crude insults and Eddie Kaye Thomas tries to be even smoother and more laid-back than he was in the first film. Alyson Hannigan is still sweet and funny, Shannon Elizabeth is still stunningly gorgeous and the others (Klein, Reid, Nicholas, etc. etc.) do okay when involved in group scenes, but waste screen-time when the focus is on their separate story-lines.

It does exactly what fans will want it to do, for better or worse, and makes for a worthy sequel that keeps the laughs coming from start to finish.

7/10

http://www.amazon.co.uk/American-Shannon-Elizabeth-Alyson-Hannigan/dp/B00005RDOW/ref=sr_1_1?ie=UTF8&qid=1357202435&sr=8-1

The Adventures Of Baron Munchausen (1988)

I admit that I was hesitant when I slid the Blu-ray of The Adventures Of Baron Munchausen into my player. When it was (barely) released in 1988 I saw a few clips that just didn't sell it to me. In fact, it looked a right mess and the poor performance at the box office did nothing to make me doubt my first impression of the film. Fast forward to all these years later and I now know that boffo box office results aren't always a sign of a great movie, but I still thought I was about to watch a mess. An entertaining mess, perhaps, but a mess nonetheless.

Piffle! The Adventures Of Baron Munchausen is a fantastic film. Directed by Terry Gilliam, who co-wrote the screenplay with Charles McKeown (based on the character created by Rudolph Erich Raspe), it is his usual mix of wild imagination, wonderful visuals and warped humour. Apparently, it forms a thematic trilogy after the excellent Time Bandits and the masterpiece that is Brazil, something to do with the ages of man and the power of imagination, but the most important thing to know is that it's a rip-roaring adventure full of spectacle and larger than life figures.

It is a time of war, a time of misery for the occupants of a city being attacked by a large Turkish army. It is "The Age Of Reason". For the benefit of those seeking a distraction from the war, a play is being performed that's all about the life of the adventurer known as Baron Munchausen. Unfortunately, the play is interrupted by the Baron himself, who is unhappy at the way his adventures have been adapted and proceeds to tell the audience the truth, including how he was responsible for starting the war on the city. Mind you, it's not surprising that few people believe his words when he goes on about his sidekicks - the fastest runner in the world, an eagle-eyed sharpshooter, a man with excellent hearing and the ability to exhale gale force winds and the strongest man in the world. Reality then reasserts itself as the war interrupts the Baron and he wanders off to die. Thankfully, that plan doesn't work (or it would be a very short film indeed) and so the Baron decides to save the city, meaning that more adventures are about to unfold.

This wasn't an easy movie to get made, but from what I've seen and heard over the years, few Terry Gilliam movies are. Having seen his work method, I think it's all down to the fact that he yearns to find the fastest way possible to put his constantly inventive imaginings on to film and that makes for very hard work indeed. He has it all there in his mind and you can see how fast it all wants to come out whenever he quickly sketches a new idea or a revision of the scene before him (check out both Lost In La Mancha and The Hamster Factor And Other Tales Of Twelve Monkeys to see what I'm on about). The difficulties behind the camera just don't show themselves, however, and viewers are simply left to enjoy a great final product.

The cast is wonderful, full of so many familiar faces as well as those who just fit their characters perfectly. John Neville is the Baron, the very heart of the film, and he makes for a wonderful companion and narrator throughout. Sarah Polley is only a teeny tiny girl here and she's very good in her teeny tiny girl role. Eric Idle, Winston Dennis, Jack Purvis and Charles McKeown have a lot of fun playing some rather unique characters while Uma Thurman, Jonathan Pryce, Robin Williams, Alison Steadman, Oliver Reed, Bill Paterson, Valentina Cortese, Peter Jeffrey and many others populate the screen in a variety of weird and wonderful roles.

Fans of Gilliam's films should love this one, fans of films such as Big Fish (which has quite a similiar structure) should love this one and fans of fine cinema, in general, should find plenty to enjoy. I didn't expect to say this before putting in that Blu-ray, but I highly recommend this film.

8/10

http://www.amazon.co.uk/Adventures-Munchausen-Anniversary-Edition-Blu-ray/dp/B0012OTRYI/ref=sr_1_2?ie=UTF8&qid=1357696323&sr=8-2

Robin Hood: Men In Tights (1993)

A spoof of the Robin Hood legend, this Mel Brooks movie takes the usual scattershot approach, with a lot of specific digs at the big-budget, Kevin Costner-starring Robin Hood: Prince Of Thieves.

Cary Elwes takes on the title role, and he's excellent, not least because "unlike some other Robin Hoods", he can speak with an English accent. He starts to cause trouble for Prince John (Roger Rees) and the Sheriff of Rottingham (Richard Lewis) while also winning the heart of the lovely Marian (Amy Yasbeck). Lending Robin some support are a blind manservant named Blinkin (Mark Blankfield), a young man named Ahchoo (Dave Chappelle), Little John (Eric Allan Kramer) and Will Scarlet O'Hara (Matthew Porretta), all willing to become the titular men in tights. Tension rises, fights are fought and everything builds up to a climactic battle in which Robin Hood hopes to right a lot of wrongs.

It may be unfair to compare the later work of Mel Brooks to his earlier successes, but it's inevitable whenever he releases another parody, thanks to Blazing Saddles and Young Frankenstein remaining perfect examples of the format. This film is not as good as those superb titles, but it's goofy and endearing enough to please fans of the director's style.

The cast is great. Elwes is very funny in the leading role, keeping a straight face while involved in some amusingly ridiculous exchanges. Richard Lewis and Roger Rees do more obvious clowning around, but they have fun with their roles, a fun that's infectious thanks to the enthusiasm of everyone involved. Mark Blankfield is okay, used for a number of obvious gags, while Dave Chappelle is his usual energetic self. Amy Yasbeck makes for a fine Marian and Megan Cavanagh is the maid/nurse trying to keep the lady pure.

Written by Brooks, Evan Chandler and J. D. Shapiro, the script includes some fun musical moments, plenty anachronisms included for comedic effect, a fun, small role for Tracey Ullman (who lusts after the Sheriff of Rottingham) and a wonderful moment that allows Robert Ridgely to reprise his role from Blazing Saddles. Dom DeLuise, Dick Van Patten, Isaac Hayes and Patrick Stewart all join the madness.

This may be a lesser Brooks movie, but it will still make you laugh on a number of occasions. Which is more than can be said about some other spoof/parody films from the past two decades (*cough* Friedberg/Seltzer *cough*).

6/10

http://www.amazon.co.uk/Robin-Hood-Men-Tights-DVD/dp/B00004U0MG/ref=sr_1_1?ie=UTF8&qid=1366762288&sr=8-1&keywords=robin+hood+men+in+tights

Deviation (2012)

Saying that Deviation isn't the worst movie that Danny Dyer has ever starred in is a bit like saying that the damage to your social life isn't the worst thing about having the Ebola virus. Either way, you're in a whole world of pain. I've long ago stopped expecting anything other than the same lazy, wide-boy geezer act in every one of his movies and he hasn't done anything to prove me wrong in the last five years or so.

Writer/director J. K. Amalou is the latest person to give Dyer some time onscreen and pocket money to spend on Burberry and substances designed to further destroy his braincells which makes him the person to point the finger at. He picked Dyer for the main role, he wrote the awful script that Dyer gets to work with and he directed the movie in a . . . . . . . . . well, to be fair, the direction of the film isn't TOO bad in places. Dammit, I hate being fair-minded sometimes.

Dyer plays Frank Norton, a murderer and a geezer. Which means that he just turns in yet another lazy, wide-boy geezer act mentioned in the opening paragraph. His character appears only a minute or two into the movie, taking a nurse (Amber, played by Anna Walton) hostage and driving around to different places for no obvious reason, other than padding the idea out to feature film length. His background is relayed to viewers during a clumsy moment when he fiddles with the car radio during various news reports. Which sums up the entire film.

Anna Walton does slightly better than Dyer, but she's hampered by two big problems. The first is that terrible script. The second is the fact that she has to continually share the screen with Dyer. The main role wouldn't be good for any actor, the character of Norton changes his mind and mood every few minutes in a way that is supposed to be interesting and clever but comes across as juvenile and silly. It's serious mental illness as written by a ten-year-old. The erratic performance from Dyer is, subsequently, a complete shambles, a car crash of a performance reminding everyone of the big question: "just how does this man continue to get work?" The rest of the cast includes James Doherty, David Fynn, Alan McKenna and Roy Smiles, but it's Dyer you'll be unable to forget, for all the wrong reasons, after the end credits roll.

As I said earlier, the direction isn't too bad. It's competent, and the only element of the movie I can bring myself to praise (even though it leaves a bad taste in my mouth to do so). The rest, in case you couldn't read my subtle cues, is terrible. Implausible, impossible to care about, horribly misanthropic and down at the bottom of the septic tank with so many other Danny Dyer movies.

2/10

http://www.amazon.co.uk/Deviation-Blu-ray-Danny-Dyer/dp/B00696WONU/ref=sr_1_2?ie=UTF8&qid=1366761348&sr=8-2&keywords=deviation

Restless Natives (1985)

When I was a young boy I was delighted by my first viewing of Restless Natives. It was a good film, there was that, but I was mainly delighted because much of it was set in the city of Edinburgh. My home. It was, I think, the first time that I'd seen the city in a movie. Thankfully, I have grown to learn that other people have realised what a great setting Edinburgh is, and I've seen it in movies as diverse as The Prime Of Miss Jean Brodie, Shallow Grave, New Town Killers, Book Of Blood, The Illusionist (where it was in animated form) and The Angel's Share, to name but a few. So while I have discovered Edinburgh in many other movies over the years, I have always had a soft spot for Restless Natives. A recent rewatch of the movie proves that my soft spot for it is deserved. It's a sweet, funny, wonderful film that holds up just as well now as it did back in the mid-1980s. Okay, part of the charm now may stem from being able to see Edinburgh as it was back then, but it still remains a lesser-known gem of a movie.

Will (Vincent Friell) and Ronnie (Joe Mullaney) are two young Scotsmen who aren't really doing great things in life. Will works for the local council, trying to keep Princes Street Gardens clean and tidy, while Ronnie works in a joke shop and gets grief from adults who have been pranked by their children. The two of them try robbery, but they're no good at that either. Until, instead of robbing cars on Highland roads, they decide to don masks (one is a clown and one is a wolf-man), get on a motorbike and rob coaches. Coaches full of rich tourists. Things start to go well and the pair even become celebrities thanks to their unusual brand of criminal behaviour. Will finds himself attracted to a young woman (Teri Lally) he sees during a robbery, Ronnie is thinking ahead to when they can start spending their money and the two keep evading the police thanks to the versatility of their motorbike. But, like any great partnership, cracks soon start to appear as they bask in the glow of their success. It may be time to call it a day soon, especially with a tenacious American (Bender, played by Ned Beatty) determined to capture and arrest them.

There's so much that I want to say about Restless Natives that I worry just how long this review will become. I'll not dilly dally any further anyway. The script was written by Ninian Dunnett, and it's a pretty perfect mix of great characterisations and quotable lines (the fact that there are no "memorable quotes" on the IMDb page for this movie is shocking). This was Dunnett's first script, and also his last. That's just sad. Considering how great this movie is, to even have the chance to see one more penned by Dunnett would be a treat I'd jump at the chance to experience. Wherever you are, Ninian Dunnett, I will always be indebted to you for this movie.

Director Michael Hoffman, on the other hand, moved on from this to films as diverse as Soapdish, Restoration, A Midsummer Night's Dream and, most recently, Gambit. Sadly, I've only seen Gambit, which I didn't enjoy all that much, but the rest have been given a fair bit of praise. Hoffman is obviously a talented guy, but I look forward to eventually checking out the rest of his filmography and seeing if anything really matches this film for sheer likeability.

The cast is super, with relative newcomers like Friell, Mullaney, Taylor and Ian McColl holding their own alongside names such as Beatty, Bernard Hill, Robert Urquhart and Mel Smith (in a cameo role). There are also a lot of people onscreen I forgot to note down the names of, despite each one making a minor supporting role into a potential scene-stealer. They include the two men playing police officers under the command of Urquhart, the girl who plays the younger sister of Friell's character and a group of Japanese TV presenters who end up getting in the middle of a hot pursuit while trying to film the clown and the wolf-man in action, simply to show off the capabilities of the motorbike that they use.

There are two other stars I have yet to mention. One is Edinburgh, with more of it shown onscreen here than in any other film (to my knowledge). Whether it's The Mound, Princes Street itself, parts of Wester Hailes - these names will mean nothing to people who haven't lived in the city, but they'll raise a smile on the faces of those who recognise the landmarks and buildings from a few decades ago.

The second star is Big Country, the Scottish rockers known for their unique "bagpipe guitar" sound. They provided a number of tunes for the soundtrack and it's an absolute beauty. In fact, it's hard to think of the movie without the lively guitar work. Thankfully, we don't have to.

It's about crime, it's about friendship, it's about characters becoming bigger than they could have ever imagined, it's about tourism and it's about legends. Perhaps Restless Natives will always be best appreciated by those who live in Edinburgh and spend a disproportionate amount of time each year wading through crowds of tourists who visit to take in the International Festival, the Edinburgh Military Tattoo, Edinburgh Castle and so much more, but I think that it's a film that can turn anyone into a fan. It's probably the sweetest movie about armed robberies ever made.

9/10

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American Pie (1999)

It's obviously not going to be for everyone (which is, I realise, quite a redundant saying as it could be applied to every movie ever) but American Pie is a classic in the teen comedy genre. It may not have the nostalgia factor of an American Graffiti or the sharp, dark, wit of Heathers, but it has memorable set-pieces, some great characters and a sweetness running through all of the bawdy antics.

Four young men (played by Jason Biggs, Eddie Kaye Thomas, Chris Klein and Thomas Ian Nicholas) make a pact to lose their virginity by prom night. Jim (Biggs) is awkward and prone to mishaps that see him extremely humiliated, Paul Finch (Eddie Kaye Thomas) tries to maintain an air of intelligence and sophistication about him even while desperate to get a date, 'Oz' (Chris Klein) joins a singing group in a stealthy move to get close to some good-looking girl (Mena Suvari) and Kevin (Thomas Ian Nicholas) is already happy with his girlfriend (Vicky, played by Tara Reid) even though he can't bring himself to say: "I love you". Also involved with this quartet are Jim's dad (Eugene Levy almost stealing the entire movie), the coarse and carefree Stifler (Seann William Scott), a lovely foreign exchange student named Nadia (Shannon Elizabeth) and a young woman (Alyson Hannigan) whose every story seems to take place at band camp.

Written by Adam Herz, and directed by Paul Weitz (with some uncredited help from his brother, and producer, Chris Weitz), this fairly zips along from one-liner to one-liner in between the truly hilarious set-pieces. I always felt that when it was first released it was done a disservice with the talk about it being so focused on one particular pie-related incident. Thankfully, most of the other set-pieces throughout the movie are actually a lot better than the main pie moment and every scene between Jim and his dad is full of comedy gold.

The film made stars out of some of its leading players although many of them could never quite escape the shadow cast by this one huge success (well, okay, this one and the official sequels before the brand name was ruined by the many "American Pie Presents..." movies - more on those at a later date). Jason Biggs highlighted his problem with his memorable cameo role in Jay And Silent Bob Strike Back when he said: "No, it always comes back to that fucking pie! I'm HAUNTED by it!"
Still, he did better than some of his co-stars, with the main breakouts from the film being Shannon Elizabeth, Alyson Hannigan (who'd already been doing such great work on Buffy The Vampire Slayer anyway) and Seann William Scott.

Mind you, what do audiences care about the career paths of those onscreen? The fact that they were all in one place for this movie, and the few main sequels, is all that matters. That allowed people to hear the choice insults from Stifler, it allowed eagle-eyed viewers to spot Blink 182 in a sequence that I rate as the comedy highlight of the whole movie, it allowed everyone to learn the word MILF (if they didn't know it already) and it simply allowed for everything to come together to make a near-perfect, raunchy teen comedy. I've not even mentioned Jennifer Coolidge, Natasha Lyonne, Chris Owen (as "The Sherman-ator") or the fleeting appearances from John Cho and Casey Affleck, but I guess that highlights the best thing about American Pie - there's so much more to it than just the pie.

9/10

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Dark Blue (2002)

It's April 1992. A turbulent time for Los Angeles, with all eyes watching the trial of the police officers accused in the beating of Rodney King. If those men are acquitted, the whole city might just burn. Kurt Russell stars as Eldon Perry, a policeman who was brought up by gunslingers and sees himself as a man who does a lot of things wrong to get the right results. His superior (Brendan Gleeson) agrees, he knows that whenever he wants ANY mess cleaned up he can ask Perry to get it done. Unfortunately, many other people view Perry as a monster including his wife (Lolita Davidovich), his young partner (Scott Speedman) and an officer (Ving Rhames) intent on uncovering the truth about a recent shooting incident and, in turn, corruption within the LAPD. In fact, as the movie unfolds, Perry starts to think about his own actions and how others view him. He starts to suspect that they may be right.

Written by James Ellroy and David Ayer, this is exactly the sort of thing you'd expect from the writers of L.A. Confidential and Training Day, respectively. Eldon Perry is a larger than life character, a bit of a bully and a braggart even to those he loves, and his moral compass has been thrown so far out of whack that it's unsure whether or not he can find his direction again. Ron Shelton does a great job in the director's chair, allowing for the actors to do their best with the material while he makes sure that all of the threads are winding together to complete the big finale.

Russell excels in the lead role, it's arguably his best performance from his 21st century filmography. He IS a bit of a monster and a horrible person, overall, but he's also a fully fleshed-out character with moments that show that he does have a heart (one scene with him being yelled at by Gleeson really starts to make him slightly sympathetic, while another involving Davidovich reading out a letter to him turns into something unexpectedly affecting). Speedman is okay in his role, he's young and acts naive enough and that's what's needed of him. Gleeson is superb, but Gleeson is always superb. In this movie, however, he's even more superb than usual, his performance sharpened by the gradual development of his true character. Ving Rhames, ahhhh Ving Rhames, he gives a subdued, sweet performance that reminds you of the actor who once seemed so great. Why did he ever start to take roles in every other Straight To Disc (or STD, if you will) piece of nonsense? I'll never know. Thankfully, there will always be performances like this one to look back on. Lolita Davidovich and Jonathan Banks have their supporting roles that allow them one or two moments to shine. And shine they do. Michael Michele may have the most thankless role, but she does okay with it.

Putting these characters together and seeing how things unfold makes for a solid drama. Setting everything on the brink of those 1992 L.A. riots makes for something much more. It's tense, it's incendiary and it's an unflinching reminder of just how easily corruption can insidiously filter through even the most well-meaning of people.

8/10

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Grounded AKA Unaccompanied Minors (2006)

Kids having a bit of a riot while stranded in an airport, that's the premise of Grounded AKA Unaccompanied Minors and I must admit that while it did tick all of the usual boxes and while it did start off quite badly, I ended up quite enjoying myself with this one. It's not one that I'll rush to revisit any time soon, and I can't see it ending up with a place in my movie collection, but it has enjoyable moments here and there and it's certainly one that's easy enough to enjoy while the kids are laughing at it.

Basically, a bunch of kids are supposed to be flying on Christmas Eve, but the weather has put an end to that idea. When five of the kids (Charlie, Spencer, 'Beef', Grace and Donna) escape from the Unaccompanied Minors room they have a bit of fun in the airport before being caught by the unhappy head of customer relations (Lewis Black). They're taken back to the UM room and told that they will be staying there for the rest of Christmas Eve, despite the fact that the other kids have all now been taken to a nice lodge along the road. This is particularly bad news for Spencer (Dyllan Christopher), as he knows that he must find a way to get back to his little sister, who is now in the lodge, and ensure that a present "from Santa" is waiting for her when she wakes up. It's a battle of wills between the kids, the head of customer relations and his many staff (including Rob Riggle and Wilmer Valderrama).

Most parts of this movie, admittedly, have been done numerous times before. Better. The script by Jacob Meszaros and Mya Stark doesn't have much bite to it (although Black, Valderrama, Rob Riggle and Rob Corddry get some fun moments) and director Paul Feig simply hits the notes that everyone is waiting for, including at least two montage moments.

Thankfully, the cast adds a lot of fun to the proceedings. The focus may be on Spencer trying to make Christmas right for his sister (Dominique Saldana) but the others get plenty to do. Gia Mantegna is fine as Grace, a typical "princess" type who Spencer ends up taking quite a shine to. Quinn Shephard is the other girl of the group, Donna, a bit of a tomboy, but not without an admirer either. Brett Kelly is quiet, but makes his presence known, as 'Beef'. And last, but by no means least, Tyler James Williams steals the movie as cheeky, but charming, Charlie Goldfinch. Williams is probably best known to people who enjoyed his comedic skills in Everybody Hates Chris and he creates laughter once again, whether he's trying to survive being moved around an airport in a suitcase or getting his groove on with a funky bit of music (the best montage moment). I've already mentioned the adults enough, maybe even too much already, but they do fine with what they're given.

It might start off unsteady, and there's a finale that almost disappears under sugary sweetness, but this has a fun middle section and proves to be fairly amusing, thanks in no small part to Tyler James Williams. Kids should enjoy it, though they probably won't rush to watch it again either.

5/10

http://www.amazon.co.uk/Grounded-DVD/dp/B000MR9F5W/ref=sr_1_1?s=dvd&ie=UTF8&qid=1357051710&sr=1-1

Kiss Kiss Bang Bang (2005)

Written and directed by Shane Black (the man responsible for the Lethal Weapon movies, The Monster Squad and more), Kiss Kiss Bang Bang is everything that you hope it will be and a little bit more. A couple of things stop it from being perfect, there are some scenes that just feel overly indulgent and the razor-sharp script constantly teeters on the edge of being too smart and smug for its own good, but it's a mix of action, thrills and comedy from a man who has shown mastery of this kind of material.

The plot is as follows - a petty criminal (Harry Lockhart, played by Robert Downey Jr.) ends up accidentally auditioning for a movie role and getting the part. He is then put on assignment with a detective (Gay Perry, played by Val Kilmer) and quickly finds out that being a detective isn't all that it's shown to be in the movies. Things soon move from the mundane to the intriguing, however, when the two men see a woman's body being dumped in a lake. The plot quickly thickens, Harry also tries to impress a girl that he's held a candle for all his life (Harmony, played by the beautiful Michelle Monaghan) and bullets start to fly, fingers are removed from hands and dead bodies start to pile up around the two main characters.

Although it's a small movie that more and more people need introduced to every week, I count Kiss Kiss Bang Bang as one of the big contributing factors in the grand resurrection of Robert Downey Jr's career. There had been other roles, of course, but 2005 was the year that showed he could still mix it up in a number of different genres and he still had bucketloads of charisma to spare. Am I overestimating the appeal of the movie? Watch it and then tell me.

Of course, the film isn't just the Downey Jr. show and everyone else puts in equally good performances. Val Kilmer is at his very best in the role of Gay Perry and Michelle Monaghan is absolutely adorable. Solid support comes from a mix of people: Corbin Bernsen, Larry Miller, Shanny Sossamon, Angela Lindvall and more.

It's not action-packed from start to finish so if you're after a new Die Hard or Lethal Weapon movie to love then this won't be it. If, however, you're after even more brilliance from the man who helped create some of the best, and coolest, action films of the last few decades (including the brilliance of The Last Boy Scout and The Long Kiss Goodnight) then this is the film that you must watch, purchase and then watch again and again. It's up there with the very best of Black's writing and he proves himself to be no slouch in the directing department either, putting it all together perfectly and moving from start to finish with a constant supply of his usual wit, insults and zippy plotting.

If you've somehow missed this movie so far then do yourself a favour and get to it ASAP.

9/10

http://www.amazon.co.uk/Kiss-Bang-Blu-ray-Region-Free/dp/B000KC86JK/ref=sr_1_1?ie=UTF8&qid=1357051470&sr=8-1

The Chaser (2008)

Joong-ho (Kim Yoon-seok) is a pimp, but he also happens to be an ex-detective. When yet another of his girls (Seo Yeong-hie) goes missing, despite his best attempts to keep her safe, Joong-ho gets on the trail before it gets too cold. He finds himself crossing paths with Young-min Jee (Ha Jung-woo) and soon realises that he is the man responsible for the loss of his girls. Joong-ho assumes that Young-min Jee has been selling the girls on, but it's a lot worse than that. Young-min Jee is a crazed killer and once he confesses to the police it becomes a race against time as Detective Lee (Jeong In-gi) and his colleagues try to get more evidence and build a case before having to release their man. Joong-ho, on the other hand, doesn't need to build a case. He just needs the police to give him enough time alone with Young-min to beat the truth out of him.

Directed by Na Hong-jin, who also co-wrote the script with Shinho Lee and Hong Won-chan, The Chaser is another film from South Korea that has already bagged itself a loyal fanbase. I saw it after it was highly recommended on a number of occasions, but I must admit that it just didn't work for me. With its mix of humour, grit, drama, ludicrousness, brutality and (fleeting) sweetness, it just didn't settle into one particular genre/style that I could really get into. I'm not saying that blending so many elements automatically makes for a lesser film - many fine movies have been appreciated so much BECAUSE they mix things up - but I don't think that the mix worked in this instance.

That's not to say that many of the individual elements don't succeed. The script blends all of the required information through some decent characterisations. The acting from Yoon-seok and Jung-woo is great, as is the acting from Yeong-hie, In-gi, Bon-woong, and young Kim Yoo-Jeong  (playing the daughter of the missing woman). The tension does build in places due to the race against time to gather necessary evidence to make a case against a killer, but none of these things ever feel as if they're all blended together into one whole movie experience.

Definitely not a movie that I'd tell people to avoid, it's just one that I'd encourage you to approach with caution. You may end up being one of the many viewers who think of the film as yet another modern classic from South Korea, but you may not. As long as you don't get your hopes up too high I think you'll find a number of moments worth your time, at the very least.

6/10

http://www.amazon.co.uk/The-Chaser-DVD-Hing-Jin-Na/dp/B001HSHG74/ref=sr_1_2?ie=UTF8&qid=1366165991&sr=8-2&keywords=the+chaser

Cosmopolis (2012)

Robert Pattinson plays Eric Packer, a man who wants to get a haircut. He's an extremely rich man (a multi-billionaire, in fact) and could just get someone to visit him at his office, but instead he insists on being driven around town in his stretch limo amidst the chaos that is a Presidential visit, an ongoing protest against capitalism and serious threats on his life. During his trip, he tries to convince his new wife (Sarah Gadon) that they should have some sex, he speaks to various members of his staff, engages in some energetic infidelity and views the turbulent events unfolding around him with a mixture of morbid fascination and cool disinterest.

Written and directed by David Cronenberg, based on the novel by Don DeLillo, this is a movie perhaps best described as Videodrome meets Wall Street with a white version of Driving Miss Daisy. Yes, I know that mixture sounds quite ridiculous, but it's appropriate. It's certainly not a film to watch if you need some great set-pieces and a bit of energy in each scene. This is almost completely cerebral, for better or worse, and demands patience from viewers. Patience that isn't really rewarded in the obvious fashion.

Pattinson is pretty good in the main role, there's a hint of Patrick Bateman about his character but also quite a Charles Foster Kane vibe. Details about how he amassed his personal wealth are teased out during conversations, but not enough to put together a complete picture. He seems like a potential philanthropist one minute and a complete sociopath the next, and Pattinson conveys every facet of his personality while also keeping hold of himself in a very stiff and controlled manner, most of the time. The other people that move in and out of the movie are strangely disconnected in a variety of ways, whether it's through their fleeting appearance and disappearance or the actual nature of the character (Gadon seems to move through the film without letting any of the world around her get within touching distance). Jay Baruchel, Juliette Binoche, Kevin Durand, Samantha Morton, Mathieu Amalric and Patricia McKenzie, plus quite a few others, all do well with their roles, even if they do often feel like characters taken directly from the Packer's overactive subconscious. Paul Giamatti gets to play someone more connected to the actual reality of everyday life than any of the other characters, and he puts in another fantastic performance.

Cronenberg seems to do what he can in this film to push people away. He certainly doesn't make it an easy film to enjoy, but it IS enjoyable. It's a lesser Cronenberg film, that's for sure, but it's still worth a watch if you're a fan of his work. The best, and most unexpected, thing about the film is the humour throughout, often subtle and sly but sometimes completely over the top and surreal. That humour hardwired to the intelligence running through the script allows Cosmopolis to become a bit of a paradox - a film that is hard enough to get through once but may well leave observant viewers wanting to rewatch it.

Equal parts amusing and irritating, this may be a film that you end up absolutely hating. It could also be one that you end up enjoying much more than I did.

6/10

http://www.amazon.co.uk/Cosmopolis-Blu-ray-Robert-Pattinson/dp/B008HDQPTC/ref=sr_1_2?ie=UTF8&qid=1365598758&sr=8-2&keywords=cosmopolis

The Abominable Snowman (1957)

I'm not sure quite what it is, but there's just something here that stops me from loving this movie as much as I think I should. I admire it, it's an intelligent and atmospheric piece, but I also think that it somehow should have created a much better framework around the ideas at its heart.

Written by Nigel Kneale, and directed by Val Guest, the movie can be described quite simply as "a quest in search of the Yeti" but that sells the thing short. What the film is really about is the quest for knowledge (best symbolised by the tenacity and good intentions of the character Dr. Rollason, played by the great Peter Cushing) working side by side with the quest for personal gain and profit (shown by Tom Friend, the character played by Forrest Tucker). Obviously, these two viewpoints are opposing ones, but the path through treacherous terrain is made slightly easier by teamwork.

The Abominable Snowman works very well in a number of areas - the cast are all generally excellent (as is par for the course when it comes to Peter Cushing), the atmosphere builds nicely in the last half hour or so, and the material is treated with intelligence and a serious tone. Sadly, there are other areas in which the film doesn't do half as well - a running strand of mysticism just doesn't feel right, and none of the scenes at a lamasery do anything much for the pacing and characterisations, except basic exposition.

Aside from the performances of Cushing and Tucker in the two main roles, Maureen Connell is also excellent as Helen, the plucky but concerned wife of Dr. Rollason, Richard Wattis is enjoyable as Peter Fox and Robert Brown has some fun as the thrill-loving Ed Shelley.

There's certainly enough here for fans of subtle, smart horror to enjoy, but I didn't rate this quite as highly as some other people, despite some fine, atmospheric moments that show the effect the weather and general conditions have on members of the expedition. Give it a viewing and make up your own mind, especially if you're a Peter Cushing fan like myself, because there are plenty of Hammer fans who rate this one quite a bit higher than I do.

6/10

 http://www.amazon.co.uk/The-Abominable-Snowman-Peter-Cushing/dp/B0058CLCNY/ref=sr_1_1?ie=UTF8&qid=1366578701&sr=8-1&keywords=the+abominable+snowman+dvd

Interstate 60: Episodes Of The Road (2002)

Written and directed by Bob Gale, Interstate 60: Episodes Of The Road is a highly entertaining blend of Eerie Indiana, Big Fish and, well, Road Trip. It feels slightly disjointed, but the title gives a clue to that (although it's often just called Interstate 60 on the marketing and packaging nowadays - I just listed the full title as it is on IMDb).

Gary Oldman is a red-haired trickster by the name of O. W. Grant, a man who spends his time smoking his monkey-head pipe and granting wishes, but he grants wishes in very twisted and unexpected ways. He's like a PG version of the djinn from the Wishmaster movies. James Marsden plays a young man named Neal Oliver, wishing for some answers in his life just as O. W. Grant is within earshot. Interested, Grant decides to arrange a little road trip for Neal. He must deliver a package on a journey that will take him along Interstate 60. Of course, there isn't an Interstate 60. At least, that's what Neal thinks until he's shown a different view of things. He continues along the road in his car, meeting various characters and getting into one or two strange situations along the way.

I enjoyed this movie from the very beginning, the first few scenes features a great moment with Gary Oldman and Michael J. Fox that sums up the devious playfulness of O. W. Grant, but as it continued I started to love it. It manages to be funny and quirky in a way that doesn't scream in viewers faces about how funny and quirky it's being. People may disagree with me on that, but I think that the way in which everything was added on, one character at a time, helped move the film from normality to outright whackiness. As a viewer, I felt very much like that metaphorical frog sitting in water that I didn't notice was being constantly increased ever so slightly towards boiling point.

Despite, compared to some, not really having THAT much in his filmography, Gale does a solid job with the direction of the film. That's probably thanks to the fact that he's filming his own script and writing has been his forte for the past five decades. There's nothing too spectacular on display, but nothing too clumsy either.

Marsden is his usual pleasant self in the role, Oldman has more fun than usual, Christopher Lloyd adds another eccentric character to his list of eccentric characters, Chris Cooper is fantastic as a man who cannot stand anyone lying to him, Amy Smart performs better than usual and Kurt Russell has fun in a small role, playing the police captain of a small town that has legalised a highly addictive drug and allows anyone to party as hard as they like in return for various civic duties.

If you don't like quirky, rather lightweight films then avoid this one like the plague. But if you enjoyed any of the titles I mentioned in the first paragraph then you may want to watch this at least once and see if you enjoy it as much as I did. It goes a bit too far into the ludicrous for a few minutes (involving a lawyer and a big bunch of other lawyers), but it still charms and entertains far more than hundreds of other better-known titles that you could pick from the last decade.

8/10

http://www.amazon.com/Interstate-60-Ann-Margret/dp/B002T4GWYI/ref=sr_1_1?ie=UTF8&qid=1366395047&sr=8-1&keywords=interstate+60

The Virginity Hit (2010)

Found footage movies have already outstayed their welcome in the eyes of many and this irredeemable pile of crap will do nothing to convert those who have been turned off by the format. It's a proper pile of excreted waste, seriously, and I have no idea what Huck Botko and Andrew Gurland were thinking when they shared the writing and directing duties on it.

This is taken from the IMDb trivia page for the movie - Most of the cast recorded footage shown on-screen and ad-libbed their lines. That explains why there's not one funny line or moment in this alleged comedy. None of the young cast members have the personality or skill to make magic from their ad-lib opportunities and so the film simply meanders from one moment of mean-spirited unpleasantness to the next.

I don't mind mean-spirited unpleasantness. I just don't expect it to be the overriding aspect of any teen comedy that I choose to watch. I just couldn't tell what Botko and Gurland were aiming for. Was it a comedy that they'd forgotten to add any laughs to? A warning to all teenagers about the consequences of any risible behaviour in the time of the globe-spanning, reputation-harming, YouTube? A look at the dangers of peer pressure? Whatever they tried to do, they failed.

Matt (played by Matt Bennett) is the one lad, the last one of four friends, trying to lose his virginity and he wants it to be a special time with his girlfriend, Nicole (Nicole Weaver). Whenever a cherry is popped, if you'll pardon the expression, the friends all bring out a very special bong and take a hit from it, hence the title. But a startling revelation changes the plan and sets Matt on a determined quest to just lose the virginity that he now feels is clinging to him like a wet shirt.

The main friend trying to "help" Matt in his quest is Zack (played by Zack Pearlman - spotting the pattern with the names yet?). Zack is supposed to be a friend but all he seems to do is heap humiliation upon Matt at every opportunity, often thanks to his knack for recording every embarrassment as it happens. However, it would appear that Zack is the lesser of two evils when details of Matt's past are revealed as the movie progresses and it's in these moments that the movie takes another major mis-step. There's, once again, no comedy to be mined from the situations that unfold but there's also no goodwill or jubilance in the rare moments when Matt's friends actually help him because they're still all just a bunch of assholes.

There's no good way to look at this. Either the teens are being show as typical teens in an unusual situation, in which case this is an insult to the majority of all teenagers, or the company that the viewer is stuck with for the duration of the movie is made up of . . . . . . . well . . . . . . . assholes.

Fans of Sunny Leone, who is a star of numerous adult movies, will be pleased to see her appear onscreen for a short while, but she's one of the few highlights and, let's be completely honest here, if you're a fan of her work then you've already seen her in movies that showcase her talents far better than this one does. Which means that my low rating here is still somewhat generous, in my opinion.

2/10

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