Robbie (Paul Brannigan) is a thug when we first see him in The Angels' Share. His criminal history paints an ugly picture, one he can never seem to change due to an ongoing feud and the facial scar that leads to him being pre-judged wherever he goes. He is, however, ready to try and change his life. His girlfriend (Leonie, played by Siobhan Reilly) is due to have their baby, and his latest bout of community service sees him benefiting from the kindness of the driver/supervisor, Harry (John Henshaw). This leads to him, and a few of his fellow criminals, being shown the world of whisky tasting, which leads to them hatching a plan. That plan is based around the idea of the angel's share, a portion of the whisky that is lost from the cask by evaporation.
On the surface, this comedy-drama would seem like an unexpected outing from director Ken Loach, best known for his filmography being practically bursting at the seams with social commentary, especially when it comes to the class divide in the UK. But, working once again with writer Paul Laverty (the pair have been quite the team now for over two decades), it soon becomes apparent that this is exactly the kind of tale that Loach would enjoy telling. It has some big laughs, arguably some of the biggest in any Loach film, but also never strays too far away from the focus on how people often become trapped in bad lives, and how it only takes one or two acts of kindness to sometimes really help turn things around for them. Although everything here is based around whisky, and steeped in the Scottish landscape and language, the scenario faced by the main character is one that many face throughout the UK.
Brannigan is a very likeable lead, even in the scenes that have him violently reacting to the other men who won't let him keep his past in the past, and he's surrounded by a great selection of characters. Henshaw is the agent of change that the younger ones need, treating them with decency and kindness that they don't get from many other people. Reilly is sweet as the woman who wants the best for her family, Jasmin Riggins (billed as Jasmine Riggins) is the light-fingered woman who proves essential to the plan, and William Ruane and Gary Maitland are the other members of the group, with Maitland getting most of the best lines playing a character who is far from the sharpest sgian-dubh in the drawer.
Making good use of his locations, mainly Glasgow but also some moments in Edinburgh and further afield, Loach creates something that, overall, sits very nicely near the top of the pile of many great films that have made the most of Scotland. Those who don't like swearing my wince every now and then, and there's one absolutely disgusting moment that I always forget about until I rewatch the movie, and then it makes me gag again, but most people should find plenty to enjoy here. Even if it is another film to use I'm Gonna Be (500 Miles) on the soundtrack.
8/10
You can buy the movie here.
Americans can buy it here.
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